Music Calendar

Jazz Guitar Giant

The role of music in classic film and television has always been considerable. With When You Wish Upon a Star, the ever-versatile guitarist Bill Frisell draws upon the sentimentality of music heard on screen and how it shapes and informs our emotional relationships to what we see. Frisell, whose own music has been featured in major motion pictures like Finding Forrester and The Million Dollar Hotel reflects: “Music is so rich with all the associations that go along with it, whether it’s the words or a memory you get when you hear it.” Violist Eyvind Kang, bassist Thomas Morgan, drummer Rudy Royston, and singer Petra Haden – who recently released her musical ode to classic film, Petra Goes To The Movies – will join Frisell in re-imagining time-honored gems like “When You Wish Upon a Star” and “Somewhere Over the Rainbow,” as well as music from television favorites including The Dick Van Dyke Show and The Honeymooners.

Bill Frisell is one of the true giants of the jazz world. With his unique sound and singular approach to his craft, he has nearly single-handedly established a new genre of music. He has lent that sound to a diverse array of musicians on recordings: John Zorn, Elvis Costello, Ginger Baker, The Los Angeles Philharmonic, Suzanne Vega, Loudon Wainwright III, Vic Chestnut and Gus Van Sant have all hired Frisell for their projects. The breadth of such performing and recording situations is a testament not only to his singular guitar conception, but his musical versatility as well.

While he has long been revered as one of the great artists in modern jazz, the breadth of his original work extends far beyond the reaches of jazz. His recordings have covered country swing, reggae, quasi-heavy metal, backbeat rock, 1970s pop and more, all with Frisell’s signature twang.

 

What Other People Have Been Saying...

“Is there anything the man can’t play uniquely on guitar?” -Stereophile

“a guitarist often imitated but never duplicated.”  – All About Jazz

“calmly inquisitive brand of guitar wizardry” – New York Times

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