“Craig Handy is always exciting: he has humor, poise, a little outlandishness, and the intuitive power to jolt a solo into an unexpected area.” –The New York Times
Born in Oakland, CA, as a music-hungry youngster, Craig Handy experimented with guitar, trombone, and piano before settling on his true love, the saxophone. At age 11 while listening to the radio, Handy fell under the spell of the transcendent saxophone of jazz legend Dexter Gordon. Berkeley High School’s (CA) reputable Jazz program soon beckoned, and Handy joined the ranks of graduating stellar saxophone talent including David Murray, Peter Apfelbaum, and Joshua Redman. He attended North Texas State University and won the coveted Charlie Parker Scholarship which enabled his early college experience as a psychology major and frontrunner in the school’s exceptional One O’ Clock Jazz Ensemble.
His distinctive sound and authentic instrumental prowess were immediately noticed. Handy moved to New York in 1986 and began several associations with formidable artists including master drummers Art Blakey and Roy Haynes, South African melodist Abdullah Ibrahim, and the Mingus Dynasty Band. During a Mingus engagement, one audience member – none other than an impressed Bill Cosby – approached Handy and invited him to be the featured soloist in his sitcom’s music theme for 1989-90’s “The Cosby Show”. This was followed by a contract to score, produce, and perform music for “The Cosby Mysteries” 1994-95 season.
Eager to lead his own bands, by his late 20s Handy was already considered a technical master and prodigious post-bop talent. He relished musical range by performing with veteran vocalist bandleaders such as the iconic Betty Carter and later the irrepressible Dee Dee Bridgewater. He played with Haitian and Salsa bands during this time as well. In 1992 he lead his first of two advanced hard bop recordings, Split Second Timing, which featured Handy on both tenor and alto saxophones; pianist Ed Simon; bassist Ray Drummond; drummer Ralph Peterson, Jr.; and guest trombonist Robin Eubanks. Two years later came Introducing Three For All + One, a highly praised trio recording with bassist Charles Fambrough and drummer Ralph Peterson, Jr.
Handy was also a convincing and telegenic actor in Robert Altman’s 1994 film Kansas City, portraying saxophonist Coleman Hawkins. In 1995, he continued playing with the new critically acclaimed Chartbusters, featuring alto saxophonist Donald Harrison, organist Dr. Lonnie Smith, and drummer Idris Muhammad, recording two albums. Handy toured with Herbie Hancock from 1996 to 1999, and led two more recording projects – 1999’s Reflections in Change and 2000’s Flow. By this time he had amassed performing and recording credits with Cedar Walton, Elvin Jones, Joe Henderson, George Adams, Freddie Hubbard, and Wynton Marsalis.
For the past several years, Handy has recorded and toured consistently with guitarist John Scofield, trumpeter Charles Tolliver, the John Hicks Legacy Band, pianist Kirk Lightsey, trombonist Conrad Herwig, the Mingus Dynasty Band, and most notably The Cookers, with brethren Billy Harper, George Cables, Eddie Henderson, Billy Hart, Cecil McBee, and David Weiss. Handy is also touring of late with the Jazz at Lincoln Center Orchestra.
In 2014, Handy returns as bandleader and party-starter for his new touring and recording project, Craig Handy & 2nd Line Smith, Handy draws from his fondness for the music of New Orleans, attached to the groove-filled re-imaginings of originals and standards by the late, great organist Jimmy Smith. The release includes cameos by Dee Dee Bridgewater and Wynton Marsalis, while filling a rotating drum chair with Jason Marsalis, Herlin Riley, Ali Jackson, and Steve Williams. But the band at the core of the recording springs out of Handy’s current residence in Weehawken, NJ, featuring organist Kyle Koehler, guitarist Matt Chertkoff, and sousaphonist Clark Gayton.