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Terence Blanchard

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Since top-tier jazz and multiple Grammy-winning trumpeter and composer Terence Blanchard embarked on his solo recording career in 1991, the New Orleans-born and – based artist has traveled many paths musically. This includes delivering adventurous and provocative acoustic jazz outings of original material, composing over 50 soundtracks and even, in 2013, debuting Champion: An Opera in Jazz. He has also, in the spirit of his onetime membership in the jazz school of Art Blakey’s Jazz Messengers, mentored several musicians in his bands who have gone on to have significant recording careers of their own including Lionel Loueke, Aaron Parks, Kendrick Scott and one of his current band members Fabian Almazan).

As a leader and co-leader, Blanchard has recorded more than 30 albums that often defy genres, yet are still critically acclaimed. But for his latest album, Breathless, Blanchard powerfully and playfully journeys into another jazz realm with his new quintet, The E-Collective— an exciting zone of grooved fusion teeming with funk, R&B and blues colors.

The adventurous recording zeroes in on several Blanchard originals, an epic-length piece by Almazan and a scattering of covers, sung by soothing and soulful vocalist P.J. Morton (a member of the band Maroon 5), including an exhilarating take on the modern standard “Compared to What” made famous by Les McCann and Eddie Harris, and the soul-vibed and lyrical take on “I Ain’t Got Nothin’ But Time” penned by Hank Williams. Plus, Morton sings the compelling pop-styled, song-of-strength tune, ”Shutting Down,” written by Blanchard’s talented son, T. Oliver Blanchard Jr., aka JRei Oliver, who also contributes spoken-word excerpts on others.

It’s a first foray into straight-up grooveland for Blanchard, and he’s thrilled with the dance-steeped party he and his quintet (and guests) have cooked up. “Breathless is the album I’ve been wanting to do for quite awhile,” he says. “Growing up I was listening to the Head Hunters and Weather Report, which had a strong effect on me. I always listened to groove-based music—Jimi Hendrix, Parliament Funkadelic and then later listening to Prince and D’Angelo and later what [jazz trumpeter] Russell Gunn was doing. But up to this point, I had never explored it.”

What Other People Have Been Saying...

“… a band firing on all cylinders with enthusiasm, imagination, and considerable sophistication.” -All Music

“Mr. Blanchard showed off the prettiest part of his playing, evocative, meditative and sort of scene-setting: he calmly bends notes, muting his liquid sound without using an actual mute.” -New York Times

“Blanchard’s trumpet eruptions… are ferocious yet technically exact, and that is before he turns himself into a trumpet orchestra with electronics.” -Jazz Times

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