Legendary Funk and Soul Machine
Since 1968, Tower of Power has delivered their unique brand of “Urban Soul Music” to audiences around the world. The band’s horn driven sound is unclassifiably cool, and they feature one of the funkiest rhythm sections alive. Amazingly, 5 of the ten current members of the band are founding members, something unheard of from most 40 year old bands.
Emilio Castillo – Band Leader/Tenor Saxophone
Stephen “Doc” Kupka – Baritone Saxophone
Francis “Rocco” Prestia - Bass Guitar
Dave Garibaldi - Drums
Tom Polizer – Tenor Saxophone
Adolfo Acosta - Trumpet / Flugal Horn
Ray Greene - Lead Vocals
Sal Cracchiolo – Trumpet
Roger Smith - Keys
Jerry Cortez – Guitar
Tower of Power began performing in August 1968, and they quickly established a reputation as one of the most exciting elements of the burgeoning “San Francisco Sound.” After releasing one record on Bill Graham’s San Francisco records, they made the jump to Warner Brothers and by 1972 were on the national scene. The 1970s saw the band release a string of memorable records and hits that still resonate with audiences today. Tower has released a total of 19 albums, and its members have appeared on hundreds of recordings with artists as diverse as Aerosmith, Elton John, Little Feat, Phish, Santana, Heart, and many others.
For well close to five decades, Tower of Power has delivered the best in Rhythm and Blues music. But, as group co-founder Emilio Castillo says, they could have had a much different name.
“We were a Soul band called The Motowns.” he recalls. Rocco Prestia was the bass player, I was in there, and my brother was the drummer. I met Doc Kupka at the Alameda County Fair over the Fourth of July weekend back in 1968, and gave him an audition. He came in the band, and we eventually changed our name to the Tower
The reason for the band name change was that they had a specific goal in mind. “We wanted to get into the Fillmore Auditorium and with a name like the Motowns, dressed in suits with razor cuts, we knew we’d never get in there. We grew our hair long, and started to be hippies, and changed our name. Doc then suggested to me that we should start writing our own songs. Our first song was ‘You’re Still A Young Man.”
The gig at the Fillmore was a major goal for the band, which incidentally came along at just the right time. “At the time, we had been playing nightclubs, and we had gotten busted for being underage. We had been playing underage in nightclubs for years.
That’s all we knew. One night, the ABC came in, and caught the trumpet player drinking a screwdriver, and the next thing we knew, they put a notice out to all the clubs in the Bay Area that if they hired us again, they would lose their liquor license. We found ourselves with no work and no money. My parents had moved to Detroit and I was on my own for the first time. I was broke and hungry, and all I did was rehearse. We wrote the songs for the East Bay Grease record, and we practiced them every day. By the time November came around, we were at the end of our rope. I told the guys that I was going to Detroit for the holidays to see my parents, and if nothing happened with this audition, I wasn’t coming back.”
Fortunately, he did have to make a return trip to the Bay Area. “A couple of days later, Doc called me, and said ‘You’ve gotta come back. He dug it.” I said ‘Who dug it?” He said ‘Bill Graham.’ As it turned out, Bill and David Rubinson – the producer for his new label, San Francisco Records – liked the band because we were soulful.
Everyone had grown out of the whole psychedelic thing. Bands like Jefferson Airplane and Grateful Dead had been happening for about three years. The collective ear of the Bay Area was ready for something soulful. That’s right when we came along.”
Their first record, East Bay Grease, helped to define the East Bay sound, and did well enough to warrant a recording contract with Warner Brothers. Bump City, their 1972 debut for the label, was a hit on both the Billboard 200 and the chart’s R&B Albums chart, and netted them the hits “You’re Still A Young Man” and “Down To the Nightclub.” The decade of the 1970s were a boom period for the group, who hit with radio classics like “So Very Hard To Go” and “What Is Hip?” and the band has continued to tour and record over the years with their latest project Hipper Than Hip being a live flash back to their 1974 tour. Castillo says their love of the stage is the same today as it was back in 1968.
“I still love it as much as ever. We’re not a smooth jazz band, or a retro band…we don’t follow trends, we just make our music exactly the way we want it to be. We noticed years ago that when we did that, the fans liked it. We stay true to that, and that makes it easy to go to work on a daily basis. Every time we go to play, we’re playing music we love because we got to make it our way” The thrill of stepping on stage has never gone away, because as Castillo says, he loves the attention. “Let’s face it. Musicians are some of the most self-centered people in the world. So, that never gets old. People ask what it feels like to hear your song on the radio. It never gets old. What’s it like to see yourself on TV? Again, it never gets old.”
In 2014, Tower of Power will be on the road – a lot – as a result of their tour with Journey and the Steve Miller Band. He credits their involvement to an old friend, Journey guitarist Neal Schon. “We’ve known him for years, back to when he was hired to play in Carlos Santana’s band as an extra guitarist. When we were new, Carlos really dug the band, and he used to take us on tour – even when people around the nation didn’t know us. Some of those nights, we were playing at a high level, and gave him a good run for his money.
He liked that. He liked being challenged. It made him play better. At the time, Neil was in the band, and we’ve known him ever since then. About a year or two ago, he noticed our presence was becoming a little more known on the Internet and TV. He came to a few gigs, and the next thing we know, we get this offer to tour,” he says with a smile.
Fans that come out to see Tower of Power this year will get a look at their brand new lead singer, Ray Greene. Castillo says he’s a perfect fit. “It’s phenomenal. Most bands lose their singer, and it’s over. But, we’ve changed singers and other players so many times, the fans actually get excited about who’s next.” he said, as the band has had over forty members throughout their history.
“I worked on finding a new singer for about a year, and prayed about it a lot. I found out about Ray, and he’s amazing. All the guys come on stage, and we just think ‘Wow. God has really blessed us.’ He’s doing a great job, and has a great personality. One of the things you learn when you’ve been in the business as long as I have is to hire good people with principles because you’re going to spend as much as twenty hours a day with these guys. Ray’s got everything – he looks great, he sings great, he’s a good person. We’re just really blessed to have him.”
With a new member comes a new attitude, and Emilio says it’s contagious. “Everybody in the band is saying ‘Wow, what is
happening?’ You get to an age where we’re at and things can start to run down but it seems like for us that things are really kicking into high gear.”
And, that’s the way Tower of Power likes it!
What Other People Have Been Saying...
“How refreshing to hear old-school R&B played by seasoned musicians on real instruments. Those horns, man. Whew! I couldn’t get enough of them.” -Dallas News