- This event has passed.
- Wednesday, Nov 11, 2015
BOX OFFICE 612-332-5299
with special guest Barbara Jean
About Eilen Jewell
Honesty, confidence, and respect permeate Eilen Jewell’s music, dating back to her self-released Boundary County album in 2006. Since then, the Boise native has recorded five studio albums with her road-tested touring band, and two more as a member of the Boston-based gospel-charged Sacred Shakers, which includes that well-oiled band at its core. Her latest, 2015’s Sundown Over Ghost Town, is a masterful culmination of Jewell’s work to date.
As hard as it is to categorize Jewell’s music—terms like alt-country, roots-rock, country-noir, and Americana get used a lot—it’s even harder not to become thoroughly enraptured by the singer/songwriter’s powerful versatility, musical stories, and images. And that gorgeous voice makes you feel like she’s singing just for you, out on the breezy back porch or by a crackling campfire. She does so much, so well.
A few examples: Butcher Holler, Jewell’s acclaimed 2010 tribute to Loretta Lynn, underscores her love for tough traditional country music, coal miner’s daughter style, while her electrifying cover of “Shakin’ All Over,” originally a 1960 chart-topping British hit for Johnny Kidd and the Pirates, was one of the surprise highlights of 2009’s Sea of Tears. Propelled by Jerry Miller’s shimmering guitar dazzle, the song remains a live showstopper where hints of ’60s surf instrumentals and “Paint It, Black” are deftly thrown in for good measure. On 2011’s Queen of the Minor Key, featuring guest appearances from the likes of Big Sandy and Zoe Muth, Jewell penned all the songs. One of its radio favorites is “Warning Signs,” with references to a black widow, a rattlesnake, and a beady-eyed raven. Jewell calls the song “creepy.” The Boston Globe called Minor Key, “emotionally raw and riveting,” and an NPR commentator declared, “She’s got a sweet and clear voice with a killer instinct lurking beneath the shiny surface.”
Four years after the release of Minor Key, Jewell and her tighter-than-ever band—which besides guitarist Miller is filled out by the longstanding ace rhythm section of drummer Jason Beek (Jewell’s husband, who sports the glow of a young Levon Helm) and upright bassist Johnny Sciascia—make their eagerly awaited return with Sundown Over Ghost Town. Rich with cinematic visions, elegant sweet and smoky vocals, and hauntingly autobiographical songs, Sundown is bursting with stellar performances and is likely her most personal, fully realized album yet. And that’s saying a lot! The record, with all its songs penned by Jewell, is a poignant, ever-so-flavorful reflection of her return to Boise after nearly a decade in the Northeast.
What Other People Have Been Saying...
“Tantalizing… wonderful voice… this slightly restrained, beautifully crafted and enticing Eilen Jewell disc proves she remains one of Americana’s most intriguing, creative and idiosyncratic voices.” – American Songwriter
“A revelatory journey rich with cinematic visions, elegant, sweet, and smoky vocals, and hauntingly autobiographical songs inspired by her return to the West.” – No Depression
“expressive grace and and imagery… Her melodies create sonic landscapes, mostly of the mythic American West” – Pop Matters
“Jewell is Johnny Cash reincarnate… Jewell packs a punch that doesn’t bruise until after the meaning of her work sets into listeners’ bones.” – Country Standard Time
“She’s got a sweet and clear voice with a killer instinct lurking beneath the shiny surface.” – NPR Song of the Day