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Paul Thorn’s Mission Temple Fireworks Revival Feat. The Blind Boys of Alabama
Southern Gothic Troubadour
American Gospel Treasures
- Wednesday, Aug 1, 2018
BOX OFFICE 612-332-5299
About Paul Thorn
Born out of his old-school gospel recording project, Mission Temple Fireworks Revival features Southern raconteur Paul Thorn and his crack band, PLUS five-time Grammy® Award and Grammy Lifetime Award winner The Blind Boys of Alabama. These critically-acclaimed artists come together with a special blend of soul, rock, gospel, blues, and country that creates a wide-ranging, funky show that will have the audience up and stamping their feet. The one-of-a-kind experience will be, as Paul Thorn says, “like taking a 6-pack to church!”
“This is the culmination of my whole life in music, coming back to my gospel roots,” says Paul Thorn about his newest album, Don’t Let the Devil Ride. “My message on this record is ‘let’s get together’—I want to help lighten your load and make you smile.”
The son of a preacher man, Mississippi-raised Thorn spent much of his childhood in church, participating in multiple weekly services with his father as well as at neighboring African American congregations, where he became entranced with the music whose infectious spirit is captured on the new album.
Don’t Let the Devil Ride collects soulful songs originally cut by black southern gospel groups, and features guests Blind Boys of Alabama, the McCrary Sisters, the Preservation Hall Jazz Horns, and Bonnie Bishop.
The album was recorded at three temples of sound: the Sam C. Phillips Recording studio, whose namesake gave another son of Tupelo his start; at FAME Studios in Muscle Shoals, where Thorn worked as a songwriter for legendary producer Rick Hall early in his career; and at Preservation Hall, where horn players from the celebrated jazz venue lent songs a New Orleans vibe.
The new release marks Thorn’s first time recording gospel music, after a dozen albums in roots-rock mode, though his upbringing has previously been reflected in his creation of a body of strikingly original songs. In his own songwriting, Thorn often addresses the foibles of human relationships, although he doesn’t favor the sacred over the profane.
What Other People Have Been Saying...
“one of the best songwriters in Americana music today” – Examiner
“more of a revival than a concert.” KDHX, St. Louis
About Blind Boys of Alabama
The Blind Boys of Alabama are recognized worldwide as living legends of gospel music. Celebrated by The National Endowment for the Arts and the National Academy of Recording Arts and Sciences with Lifetime Achievement Awards, inducted into the Gospel Music Hall of Fame, and winners of five Grammy® Awards, they have attained the highest levels of achievement in a career that spans over 70 years and shows no signs of diminishing.
Longevity and major awards aside, The Blind Boys have earned praise for their remarkable interpretations of everything from traditional gospel favorites to contemporary spiritual material by acclaimed songwriters such as Curtis Mayfield, Ben Harper, Eric Clapton, Prince and Tom Waits. Their performances have been experienced by millions on The Tonight Show, Late Night with David Letterman, the Grammy® Awards telecast, 60 Minutes, and on their own holiday PBS Special. The Blind Boys’ live shows are roof- raising musical events that appeal to audiences of all cultures, as evidenced by an international itinerary that has taken them to virtually every continent.
The Blind Boys of Alabama met at the Alabama Institute for the Negro Blind in 1939, and left there to ‘turn pro’ in 1944. Their recorded output, reaching back to 1948 with their hit “I Can See Everybody’s Mother But Mine” on the Veejay label, is widely recognized as being influential for many gospel, R&B and rock ‘n’ roll artists. The group toiled for almost 40 years almost exclusively on the black gospel circuit, playing in churches, auditoriums, and even stadiums across the country.
The Blind Boys had their own chance to “cross over” to popular music in the 1950’s, along with their gospel friend and contemporary Sam Cooke, but stayed true to their calling. In the 1960’s, they joined the Civil Rights movement, performing at benefits for Dr. Martin Luther King. They toiled in the vineyards all through the 1970’s as the world of popular music began to pass them by. But in 1983, their career reached a turning point with their crucial role in the smash hit and Obie Award-winning play “The Gospel at Colonus,” which brought the Blind Boys timeless sound to an enthusiastic new audience. In the 1990’s they received two Grammy nominations and performed at the White House.
In recent years the Blind Boys’ musical brethren have paid homage to their legacy and their continued relevance by asking them to contribute and collaborate on new projects. The Blind Boys have appeared on recordings with Bonnie Raitt, Ben Harper, k.d. lang, Lou Reed, Peter Gabriel, Susan Tedeschi, Solomon Burke, and many others. The Blind Boys of Alabama have profoundly influenced an entire generation (or two) of gospel, soul, R&B and rock musicians and are still blazing trails after all these years.
With as much momentum as the Blind Boys have gathered in the last several years, there is no chance of slowing them down. As long as they are called to, they wll continue to create uplifting music for their fans and inspire new generations of musicians.
What Other People Have Been Saying...
“A superweapon of roots-music uplift…” – Hal Horowitz, Rolling Stone
“Inspired and relevant…borders on the miraculous.” –Washington Post
“Seeing the Blind Boys of Alabama in concert is part living history, part concert, all uplifting experience… the best moments come when the group joins forces for stirring harmonies.” –Washington Post