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DTSTART;TZID=America/Chicago:20260504T190000
DTEND;TZID=America/Chicago:20260504T210000
DTSTAMP:20260614T071846
CREATED:20260120T192020Z
LAST-MODIFIED:20260126T142903Z
UID:10003281-1777921200-1777928400@www.dakotacooks.com
SUMMARY:Jake Shimabukuro
DESCRIPTION:“His ability to leap genres and play jazz\, rock\, blues\, bluegrass\, folk and classical is impressive.” – Downbeat\n  \nJake Shimabukuro is a world-renowned ukulele virtuoso whose groundbreaking artistry has redefined the instrument for the 21st century. Here\, he is hailed as the “Jimi Hendrix of the ukulele.” Moreover\, Shimabukuro has captivated audiences across the globe with his masterful technique\, innovative spirit\, and deeply expressive performances. He seamlessly blends elements of jazz\, rock\, classical\, blues\, folk\, and traditional Hawaiian music. \nBorn and raised in Honolulu\, Hawai‘i\, Jake began playing the ukulele at age four. Then he quickly developed a unique style that pushed the instrument far beyond its traditional boundaries. He first gained international recognition after his jaw-dropping rendition of George Harrison’s “While My Guitar Gently Weeps” went viral. There\, this video introduced millions to the ukulele’s untapped potential. \nOver the course of his career\, Shimabukuro has released numerous acclaimed albums\, collaborating with an array of legendary artists. For example\, Bette Midler\, Yo-Yo Ma\, Jimmy Buffett\, Ziggy Marley\, and Mick Fleetwood. Furthermore\, he has performed everywhere from the Sydney Opera House to the Hollywood Bowl and the Kennedy Center. His most recent projects showcase both his dazzling technical command and his growing focus on emotional storytelling through music. \nBeyond the stage\, Jake is a passionate advocate for music education and community outreach. There\, he frequently performs at schools and benefit concerts to inspire the next generation of musicians. Whether playing an intimate solo show or headlining with a full band\, Shimabukuro continues to prove that the ukulele is an instrument of infinite possibilities—one that speaks a universal language of joy\, connection\, and hope. \nRecommended for fans of Keola Beamer\, Paula Fuga\, Iam Tongi and Tommy Emmanuel.
URL:https://www.dakotacooks.com/event/jake-shimabukuro-may4-2026/
CATEGORIES:Global,Rock/Pop
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/01/700x400-JakeShimabukuro.jpg
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DTSTART;TZID=America/Chicago:20260705T190000
DTEND;TZID=America/Chicago:20260705T210000
DTSTAMP:20260614T071846
CREATED:20260521T211149Z
LAST-MODIFIED:20260609T203222Z
UID:10003492-1783278000-1783285200@www.dakotacooks.com
SUMMARY:Natania & Ticket to Brasil
DESCRIPTION:Natania Kamin is a charismatic vocalist\, songwriter and dancer who is passionate about sharing the music of her native Brazil with American audiences. \nTicket To Brasil is a bossa nova\, samba and Brazilian jazz project founded by contemporary jazz guitarist and composer Pavel Jany. The group has performed at many national and international jazz events and has opened for such renowned artists as Trio Brasileiro\, Brazilian singer Cibelle and American jazz vocalist Karrin Allyson. \nNatania Kamin\, vocals\nPavel Jany\, guitar\nJohn Croarkin\, sax/flute/harmonica\nTed Godbout\, piano\nAnibal Soares\, bass\nJosue Alfaro\, drums/vocal \nRecommended for fans of Gal Costa\, Cibelle\, Gilberto Gil\, and Caetano Veloso.
URL:https://www.dakotacooks.com/event/natania-ticket-to-brasil-july5-2025/
CATEGORIES:Global,Jazz
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/05/700x400-NataniaTicketToBrasil.jpg
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DTSTART;TZID=America/Chicago:20260729T200000
DTEND;TZID=America/Chicago:20260729T220000
DTSTAMP:20260614T071846
CREATED:20260407T163721Z
LAST-MODIFIED:20260609T204425Z
UID:10003387-1785355200-1785362400@www.dakotacooks.com
SUMMARY:DakhaBrakha
DESCRIPTION:There will be no dinner service during this show. Dinner service will end at 7:30PM. \n  \n“Visually striking and sonically mesmerizing.” – Broadway World\n  \nDakhaBrakha is a music quartet from Kyiv\, Ukraine. Their “ethno chaos” sound spans years of performances prior to Russia’s 2022 invasion\, but war is in everything now. Here\, they masterfully blend Ukrainian traditional music with influences from around the world\, resulting in an unexpected new music. \nTraditional music has seen a resurgence in Ukraine over the past decades\, after being suppressed during Soviet rule. DakhaBrakha uses Ukrainian polyphony as its foundation\, interweaving complex rhythmic and melodic structures from India\, Arabia\, Africa\, and Australia. Their music is textural\, layered sounds with distinctive percussive heartbeats\, thumping bass lines\, distorted electric guitars and influences of jazz\, spoken word\, rap and even punk. DakhaBrakha calls this tapestry of influences “ethno chaos.” And this chaos is a strength\, allowing them to draw in strands of music that connect Ukraine with the world. \nThey are troubadours\, activists and educators. Though their name means Give/Take in the old language\, DakhaBrakha is new Ukraine\, both pre-colonial and post-Soviet. Moreover\, they work within a global network of art and music. They aim to help audiences see Ukraine not as a monolith\, but as a cosmopolitan culture. Furthermore\, one that takes in other cultures\, and gives in return.  \nDakhaBrakha was created in 2004 at the Kyiv Center of Contemporary Art “DAKH” by the avant-garde theatre director Vladyslav Troitskyi. Theatre work has left its mark on the band performances – their shows are always staged with a strong visual element. Projected behind them are a mix of animations from different Ukrainian artists and photos of life in today’s Ukraine.  \nThe band is currently in the process of recording their first album since 2020 in Kyiv (Ukraine)\, which combines material created before and during Russia’s full-scale invasion of Ukraine. \nRecommended for fans of Dakh Daughters\, Yagódy\, Alyona Alyona and Onuka.
URL:https://www.dakotacooks.com/event/dakhabrakha-jul-2026/2026-07-29/
CATEGORIES:Global
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2025/09/700x400-DakhaBrakha.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260730T200000
DTEND;TZID=America/Chicago:20260730T220000
DTSTAMP:20260614T071846
CREATED:20260407T163721Z
LAST-MODIFIED:20260609T204425Z
UID:10003388-1785441600-1785448800@www.dakotacooks.com
SUMMARY:DakhaBrakha
DESCRIPTION:There will be no dinner service during this show. Dinner service will end at 7:30PM. \n  \n“Visually striking and sonically mesmerizing.” – Broadway World\n  \nDakhaBrakha is a music quartet from Kyiv\, Ukraine. Their “ethno chaos” sound spans years of performances prior to Russia’s 2022 invasion\, but war is in everything now. Here\, they masterfully blend Ukrainian traditional music with influences from around the world\, resulting in an unexpected new music. \nTraditional music has seen a resurgence in Ukraine over the past decades\, after being suppressed during Soviet rule. DakhaBrakha uses Ukrainian polyphony as its foundation\, interweaving complex rhythmic and melodic structures from India\, Arabia\, Africa\, and Australia. Their music is textural\, layered sounds with distinctive percussive heartbeats\, thumping bass lines\, distorted electric guitars and influences of jazz\, spoken word\, rap and even punk. DakhaBrakha calls this tapestry of influences “ethno chaos.” And this chaos is a strength\, allowing them to draw in strands of music that connect Ukraine with the world. \nThey are troubadours\, activists and educators. Though their name means Give/Take in the old language\, DakhaBrakha is new Ukraine\, both pre-colonial and post-Soviet. Moreover\, they work within a global network of art and music. They aim to help audiences see Ukraine not as a monolith\, but as a cosmopolitan culture. Furthermore\, one that takes in other cultures\, and gives in return.  \nDakhaBrakha was created in 2004 at the Kyiv Center of Contemporary Art “DAKH” by the avant-garde theatre director Vladyslav Troitskyi. Theatre work has left its mark on the band performances – their shows are always staged with a strong visual element. Projected behind them are a mix of animations from different Ukrainian artists and photos of life in today’s Ukraine.  \nThe band is currently in the process of recording their first album since 2020 in Kyiv (Ukraine)\, which combines material created before and during Russia’s full-scale invasion of Ukraine. \nRecommended for fans of Dakh Daughters\, Yagódy\, Alyona Alyona and Onuka.
URL:https://www.dakotacooks.com/event/dakhabrakha-jul-2026/2026-07-30/
CATEGORIES:Global
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2025/09/700x400-DakhaBrakha.jpg
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DTSTART;TZID=America/Chicago:20260930T200000
DTEND;TZID=America/Chicago:20260930T220000
DTSTAMP:20260614T071846
CREATED:20260506T174848Z
LAST-MODIFIED:20260511T140725Z
UID:10003457-1790798400-1790805600@www.dakotacooks.com
SUMMARY:Vieux Farka Touré
DESCRIPTION:“Notes fall from his fingers like rain on to water… kaleidoscopic” – Guardian\n  \nVieux Farka Touré\, often called “The Hendrix of the Sahara”\, hails from Niafunké\, Mali. He is the son of legendary Malian guitar player Ali Farka Touré\, who died in 2006. Ali came from a historical tribe of soldiers and defied his parents by becoming a musician. Thus\, when Vieux reached his teens\, he declared that he also wanted to be a musician. However\, his father disapproved because of the pressures he had experienced as a musician. Rather\, he wanted Vieux to become a soldier. Vieux eventually convinced his father to give him his blessing to pursue music shortly before Ali passed. \nInitially\, Vieux played drums and calabash at Mali’s Institut National des Arts\, but he secretly began playing guitar in 2001. When Vieux announced plans to record an album\, cancer had already weakened Ali Farka Touré. Ali recorded a couple of tracks with him. There\, those recordings\, which appear on Vieux’s debut CD\, rank among Ali’s final ones.  \nWhen the COVID pandemic hit in 2020 and all touring ground to a halt\, Vieux stayed focused on his craft at home. He worked tirelessly in the studio he built at his family’s compound. The resulting album\, 2022’s Les Racines\, finds Vieux returning to his deep roots. Here\, he explores the desert blues music that he spent most of his career experimenting with and expanding. In 2022 Vieux and Houston-based psych-rock superstars Khruangbin released a long-awaited collaborative album. Sir Elton John called it “one of the albums of the year – absolutely wonderful music.” \nWith each new project Vieux broadens his horizons\, embraces new challenges and further entrenches his reputation as one of the world’s most talented and innovative musicians. \nRecommended for fans of Ali Farka Touré\, Tinariwen\, Cheikh Lô and Khruangbin.
URL:https://www.dakotacooks.com/event/vieux-farka-toure-sep30-2026/
CATEGORIES:Blues,Global
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/05/700x400-VieuxFarkaToure.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261001T190000
DTEND;TZID=America/Chicago:20261001T210000
DTSTAMP:20260614T071846
CREATED:20251119T193017Z
LAST-MODIFIED:20260203T231416Z
UID:10003196-1790881200-1790888400@www.dakotacooks.com
SUMMARY:Alfredo Rodriguez & Pedrito Martinez
DESCRIPTION:“Alfredo\, one of the greatest piano players of all time!” – Quincy Jones\n  \n“[Martinez is] an incomparable performer… a traditional Afro-Cuban music superstar” – New York Times\n  \nPainted in the broadest of strokes\, the stories of Alfredo Rodriguez and Pedrito Martinez may seem similar. Both started life in Havana\, discovered their gifts and passions for music and headed to the United States. There\, they melded the music of their homeland with a wide variety of influences\, each in their own deeply personal way. \nRodriguez was born into a musical family\, his father a popular singer and TV host. Martinez\, on the other hand\, honed his craft on the streets of Havana\, learning the deeply rooted percussion and vocal style of Afro-Cuban folkloric and religious music. \n“What makes this duo completely different is that I came from the folkloric side and Alfredo came from the classical side. You put those things together and you come out with an extraordinary and different sound.” – Pedrito Martinez \nPianist Alfredo Rodriguez’s sound embodies the collective sound of Miami\, blending Latin pop\, timba\, salsa\, bachata\, tango\, reggaeton\, and bolero. It’s a musical fusion that encompasses the diverse Latin community while celebrating individuality and fostering unity. It calls upon Rodriguez’s roots just as much as his newly learned experiences\, representing a new phase of life.  \nPedrito Martinez is a consummate master of Afro-Cuban folkloric music and the batá drum. Since settling in New York in 1998\, Pedrito has recorded or performed with Paul Simon\, Wynton Marsalis\, and Paquito D’Rivera. He has also worked with Bruce Springsteen\, Ruben Blades\, Eddie Palmieri\, Dave Matthews\, and Sting. Moreover\, he has contributed to over seventy-five albums. \nFurthermore\, he is also the world’s first-call rumbero—playing\, singing\, and dancing with dozens of Cuban rumba groups. Pedrito was a founding member of the highly successful Afro-Cuban/Afro-Beat band Yerba Buena. \nRecommended for fans of Poncho Sanchez\, Chucho Valdés\, Afro-Cuban All Stars and Eddie Palmieri. \n📸: Anna Webber
URL:https://www.dakotacooks.com/event/alfredo-rodriguez-pedrito-martinez-oct1-2026/
CATEGORIES:Global,Jazz
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2025/11/700x400-AlfredoRodriguezPedritoMarti.jpg
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