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DTSTAMP:20260928T122840Z
CREATED:20260428T172316Z
LAST-MODIFIED:20260928T122840Z
UID:10003653-1797973200-1797980400@www.dakotacooks.com
SUMMARY:The Bad Plus Farewell Tour Finale
DESCRIPTION:“finely orchestrated\, catchy original tunes\, and a knack for radically reconstituted pop covers.” – The New York Times \n  \nThe Bad Plus are the ultimate originals. A democratic unit with a clear vision and a refusal to conform to convention. For the past two decades\, they have played with spirit and adventure and have made their own rules. Moreover\, they do so with a bold sense of creativity and intent. Avoiding easy categorization\, The Bad Plus has won critical acclaim and a legion of fans worldwide. Further\, their unique sound and flair for live performance make them a must-see ensemble. \nNow in their twenty-sixth year\, The Bad Plus continues to push boundaries. Here\, founding members Reid Anderson (bass) and Dave King (drums) embark on a new piano-less incarnation of the band. Also\, Ben Monder (guitar) and Chris Speed (tenor saxophone) join the group\, instigating a new wave of excitement and anticipation. These new voices are re-energizing their sound and inspiration. The Bad Plus have constantly searched to bridge genres and techniques. Additionally\, they explore the infinite possibilities of exceptional musicians working in perfect sync. \nThe Bad Plus’s sixteenth release\, 2024’s Complex Emotions strikes out in stunning new directions. Here\, it often sounds radically different than anything the band has done before\, while still maintaining the band’s vital and unmistakable identity. Credit that to all four members’ instinctual attraction to song form\, the compelling immediacy of their collective improvisations. Also\, yes\, their willingness to drill down into the full gamut of emotional complexity. The band can veer into so much unexplored terrain yet still emerge sounding like The Bad Plus on Complex Emotions. Thus\, this is a testament to their finely crafted identity and insistence on constantly evolving.  \nThis is The Bad Plus in their most creative and expressive form. This is The Bad Plus now. \nRecommended for fans of Brad Mehldau\, Joshua Redman\, Bill Frisell and Kurt Rosenwinkel.
URL:https://www.dakotacooks.com/event/the-bad-plus-dec2026/2026-12-22/2/
CATEGORIES:Jazz
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/04/700x400-The-BadPlus.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261223T190000
DTEND;TZID=America/Chicago:20261223T210000
DTSTAMP:20260928T122840Z
CREATED:20260428T172316Z
LAST-MODIFIED:20260928T122840Z
UID:10003436-1798052400-1798059600@www.dakotacooks.com
SUMMARY:The Bad Plus Farewell Tour Finale
DESCRIPTION:“finely orchestrated\, catchy original tunes\, and a knack for radically reconstituted pop covers.” – The New York Times \n  \nThe Bad Plus are the ultimate originals. A democratic unit with a clear vision and a refusal to conform to convention. For the past two decades\, they have played with spirit and adventure and have made their own rules. Moreover\, they do so with a bold sense of creativity and intent. Avoiding easy categorization\, The Bad Plus has won critical acclaim and a legion of fans worldwide. Further\, their unique sound and flair for live performance make them a must-see ensemble. \nNow in their twenty-sixth year\, The Bad Plus continues to push boundaries. Here\, founding members Reid Anderson (bass) and Dave King (drums) embark on a new piano-less incarnation of the band. Also\, Ben Monder (guitar) and Chris Speed (tenor saxophone) join the group\, instigating a new wave of excitement and anticipation. These new voices are re-energizing their sound and inspiration. The Bad Plus have constantly searched to bridge genres and techniques. Additionally\, they explore the infinite possibilities of exceptional musicians working in perfect sync. \nThe Bad Plus’s sixteenth release\, 2024’s Complex Emotions strikes out in stunning new directions. Here\, it often sounds radically different than anything the band has done before\, while still maintaining the band’s vital and unmistakable identity. Credit that to all four members’ instinctual attraction to song form\, the compelling immediacy of their collective improvisations. Also\, yes\, their willingness to drill down into the full gamut of emotional complexity. The band can veer into so much unexplored terrain yet still emerge sounding like The Bad Plus on Complex Emotions. Thus\, this is a testament to their finely crafted identity and insistence on constantly evolving.  \nThis is The Bad Plus in their most creative and expressive form. This is The Bad Plus now. \nRecommended for fans of Brad Mehldau\, Joshua Redman\, Bill Frisell and Kurt Rosenwinkel.
URL:https://www.dakotacooks.com/event/the-bad-plus-dec2026/2026-12-23/1/
CATEGORIES:Jazz
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/04/700x400-The-BadPlus.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261223T210000
DTEND;TZID=America/Chicago:20261223T230000
DTSTAMP:20260928T122840Z
CREATED:20260428T172316Z
LAST-MODIFIED:20260928T122840Z
UID:10003437-1798059600-1798066800@www.dakotacooks.com
SUMMARY:The Bad Plus Farewell Tour Finale
DESCRIPTION:“finely orchestrated\, catchy original tunes\, and a knack for radically reconstituted pop covers.” – The New York Times \n  \nThe Bad Plus are the ultimate originals. A democratic unit with a clear vision and a refusal to conform to convention. For the past two decades\, they have played with spirit and adventure and have made their own rules. Moreover\, they do so with a bold sense of creativity and intent. Avoiding easy categorization\, The Bad Plus has won critical acclaim and a legion of fans worldwide. Further\, their unique sound and flair for live performance make them a must-see ensemble. \nNow in their twenty-sixth year\, The Bad Plus continues to push boundaries. Here\, founding members Reid Anderson (bass) and Dave King (drums) embark on a new piano-less incarnation of the band. Also\, Ben Monder (guitar) and Chris Speed (tenor saxophone) join the group\, instigating a new wave of excitement and anticipation. These new voices are re-energizing their sound and inspiration. The Bad Plus have constantly searched to bridge genres and techniques. Additionally\, they explore the infinite possibilities of exceptional musicians working in perfect sync. \nThe Bad Plus’s sixteenth release\, 2024’s Complex Emotions strikes out in stunning new directions. Here\, it often sounds radically different than anything the band has done before\, while still maintaining the band’s vital and unmistakable identity. Credit that to all four members’ instinctual attraction to song form\, the compelling immediacy of their collective improvisations. Also\, yes\, their willingness to drill down into the full gamut of emotional complexity. The band can veer into so much unexplored terrain yet still emerge sounding like The Bad Plus on Complex Emotions. Thus\, this is a testament to their finely crafted identity and insistence on constantly evolving.  \nThis is The Bad Plus in their most creative and expressive form. This is The Bad Plus now. \nRecommended for fans of Brad Mehldau\, Joshua Redman\, Bill Frisell and Kurt Rosenwinkel.
URL:https://www.dakotacooks.com/event/the-bad-plus-dec2026/2026-12-23/2/
CATEGORIES:Jazz
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/04/700x400-The-BadPlus.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261224T000000
DTEND;TZID=America/Chicago:20261224T235900
DTSTAMP:20261008T192400Z
CREATED:20260929T171718Z
LAST-MODIFIED:20261008T192400Z
UID:10003654-1798070400-1798156740@www.dakotacooks.com
SUMMARY:Happy Holidays!
DESCRIPTION:We will be closed on DEC 24 for the holiday. \nBOOK YOUR EVENT HERE:
URL:https://www.dakotacooks.com/event/happy-holidays-dec24-2026/
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/09/700x400-Holiday.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261225T180000
DTEND;TZID=America/Chicago:20261225T200000
DTSTAMP:20260928T122840Z
CREATED:20260428T172316Z
LAST-MODIFIED:20260928T122840Z
UID:10003438-1798221600-1798228800@www.dakotacooks.com
SUMMARY:The Bad Plus Farewell Tour Finale
DESCRIPTION:“finely orchestrated\, catchy original tunes\, and a knack for radically reconstituted pop covers.” – The New York Times \n  \nThe Bad Plus are the ultimate originals. A democratic unit with a clear vision and a refusal to conform to convention. For the past two decades\, they have played with spirit and adventure and have made their own rules. Moreover\, they do so with a bold sense of creativity and intent. Avoiding easy categorization\, The Bad Plus has won critical acclaim and a legion of fans worldwide. Further\, their unique sound and flair for live performance make them a must-see ensemble. \nNow in their twenty-sixth year\, The Bad Plus continues to push boundaries. Here\, founding members Reid Anderson (bass) and Dave King (drums) embark on a new piano-less incarnation of the band. Also\, Ben Monder (guitar) and Chris Speed (tenor saxophone) join the group\, instigating a new wave of excitement and anticipation. These new voices are re-energizing their sound and inspiration. The Bad Plus have constantly searched to bridge genres and techniques. Additionally\, they explore the infinite possibilities of exceptional musicians working in perfect sync. \nThe Bad Plus’s sixteenth release\, 2024’s Complex Emotions strikes out in stunning new directions. Here\, it often sounds radically different than anything the band has done before\, while still maintaining the band’s vital and unmistakable identity. Credit that to all four members’ instinctual attraction to song form\, the compelling immediacy of their collective improvisations. Also\, yes\, their willingness to drill down into the full gamut of emotional complexity. The band can veer into so much unexplored terrain yet still emerge sounding like The Bad Plus on Complex Emotions. Thus\, this is a testament to their finely crafted identity and insistence on constantly evolving.  \nThis is The Bad Plus in their most creative and expressive form. This is The Bad Plus now. \nRecommended for fans of Brad Mehldau\, Joshua Redman\, Bill Frisell and Kurt Rosenwinkel.
URL:https://www.dakotacooks.com/event/the-bad-plus-dec2026/2026-12-25/1/
CATEGORIES:Jazz
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/04/700x400-The-BadPlus.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261225T200000
DTEND;TZID=America/Chicago:20261225T220000
DTSTAMP:20260928T122840Z
CREATED:20260428T172316Z
LAST-MODIFIED:20260928T122840Z
UID:10003439-1798228800-1798236000@www.dakotacooks.com
SUMMARY:The Bad Plus Farewell Tour Finale
DESCRIPTION:“finely orchestrated\, catchy original tunes\, and a knack for radically reconstituted pop covers.” – The New York Times \n  \nThe Bad Plus are the ultimate originals. A democratic unit with a clear vision and a refusal to conform to convention. For the past two decades\, they have played with spirit and adventure and have made their own rules. Moreover\, they do so with a bold sense of creativity and intent. Avoiding easy categorization\, The Bad Plus has won critical acclaim and a legion of fans worldwide. Further\, their unique sound and flair for live performance make them a must-see ensemble. \nNow in their twenty-sixth year\, The Bad Plus continues to push boundaries. Here\, founding members Reid Anderson (bass) and Dave King (drums) embark on a new piano-less incarnation of the band. Also\, Ben Monder (guitar) and Chris Speed (tenor saxophone) join the group\, instigating a new wave of excitement and anticipation. These new voices are re-energizing their sound and inspiration. The Bad Plus have constantly searched to bridge genres and techniques. Additionally\, they explore the infinite possibilities of exceptional musicians working in perfect sync. \nThe Bad Plus’s sixteenth release\, 2024’s Complex Emotions strikes out in stunning new directions. Here\, it often sounds radically different than anything the band has done before\, while still maintaining the band’s vital and unmistakable identity. Credit that to all four members’ instinctual attraction to song form\, the compelling immediacy of their collective improvisations. Also\, yes\, their willingness to drill down into the full gamut of emotional complexity. The band can veer into so much unexplored terrain yet still emerge sounding like The Bad Plus on Complex Emotions. Thus\, this is a testament to their finely crafted identity and insistence on constantly evolving.  \nThis is The Bad Plus in their most creative and expressive form. This is The Bad Plus now. \nRecommended for fans of Brad Mehldau\, Joshua Redman\, Bill Frisell and Kurt Rosenwinkel.
URL:https://www.dakotacooks.com/event/the-bad-plus-dec2026/2026-12-25/2/
CATEGORIES:Jazz
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/04/700x400-The-BadPlus.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261226T190000
DTEND;TZID=America/Chicago:20261226T210000
DTSTAMP:20260928T122840Z
CREATED:20260428T172316Z
LAST-MODIFIED:20260928T122840Z
UID:10003440-1798311600-1798318800@www.dakotacooks.com
SUMMARY:The Bad Plus Farewell Tour Finale
DESCRIPTION:“finely orchestrated\, catchy original tunes\, and a knack for radically reconstituted pop covers.” – The New York Times \n  \nThe Bad Plus are the ultimate originals. A democratic unit with a clear vision and a refusal to conform to convention. For the past two decades\, they have played with spirit and adventure and have made their own rules. Moreover\, they do so with a bold sense of creativity and intent. Avoiding easy categorization\, The Bad Plus has won critical acclaim and a legion of fans worldwide. Further\, their unique sound and flair for live performance make them a must-see ensemble. \nNow in their twenty-sixth year\, The Bad Plus continues to push boundaries. Here\, founding members Reid Anderson (bass) and Dave King (drums) embark on a new piano-less incarnation of the band. Also\, Ben Monder (guitar) and Chris Speed (tenor saxophone) join the group\, instigating a new wave of excitement and anticipation. These new voices are re-energizing their sound and inspiration. The Bad Plus have constantly searched to bridge genres and techniques. Additionally\, they explore the infinite possibilities of exceptional musicians working in perfect sync. \nThe Bad Plus’s sixteenth release\, 2024’s Complex Emotions strikes out in stunning new directions. Here\, it often sounds radically different than anything the band has done before\, while still maintaining the band’s vital and unmistakable identity. Credit that to all four members’ instinctual attraction to song form\, the compelling immediacy of their collective improvisations. Also\, yes\, their willingness to drill down into the full gamut of emotional complexity. The band can veer into so much unexplored terrain yet still emerge sounding like The Bad Plus on Complex Emotions. Thus\, this is a testament to their finely crafted identity and insistence on constantly evolving.  \nThis is The Bad Plus in their most creative and expressive form. This is The Bad Plus now. \nRecommended for fans of Brad Mehldau\, Joshua Redman\, Bill Frisell and Kurt Rosenwinkel.
URL:https://www.dakotacooks.com/event/the-bad-plus-dec2026/2026-12-26/1/
CATEGORIES:Jazz
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/04/700x400-The-BadPlus.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261226T210000
DTEND;TZID=America/Chicago:20261226T230000
DTSTAMP:20260928T122840Z
CREATED:20260428T172316Z
LAST-MODIFIED:20260928T122840Z
UID:10003441-1798318800-1798326000@www.dakotacooks.com
SUMMARY:The Bad Plus Farewell Tour Finale
DESCRIPTION:“finely orchestrated\, catchy original tunes\, and a knack for radically reconstituted pop covers.” – The New York Times \n  \nThe Bad Plus are the ultimate originals. A democratic unit with a clear vision and a refusal to conform to convention. For the past two decades\, they have played with spirit and adventure and have made their own rules. Moreover\, they do so with a bold sense of creativity and intent. Avoiding easy categorization\, The Bad Plus has won critical acclaim and a legion of fans worldwide. Further\, their unique sound and flair for live performance make them a must-see ensemble. \nNow in their twenty-sixth year\, The Bad Plus continues to push boundaries. Here\, founding members Reid Anderson (bass) and Dave King (drums) embark on a new piano-less incarnation of the band. Also\, Ben Monder (guitar) and Chris Speed (tenor saxophone) join the group\, instigating a new wave of excitement and anticipation. These new voices are re-energizing their sound and inspiration. The Bad Plus have constantly searched to bridge genres and techniques. Additionally\, they explore the infinite possibilities of exceptional musicians working in perfect sync. \nThe Bad Plus’s sixteenth release\, 2024’s Complex Emotions strikes out in stunning new directions. Here\, it often sounds radically different than anything the band has done before\, while still maintaining the band’s vital and unmistakable identity. Credit that to all four members’ instinctual attraction to song form\, the compelling immediacy of their collective improvisations. Also\, yes\, their willingness to drill down into the full gamut of emotional complexity. The band can veer into so much unexplored terrain yet still emerge sounding like The Bad Plus on Complex Emotions. Thus\, this is a testament to their finely crafted identity and insistence on constantly evolving.  \nThis is The Bad Plus in their most creative and expressive form. This is The Bad Plus now. \nRecommended for fans of Brad Mehldau\, Joshua Redman\, Bill Frisell and Kurt Rosenwinkel.
URL:https://www.dakotacooks.com/event/the-bad-plus-dec2026/2026-12-26/2/
CATEGORIES:Jazz
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/04/700x400-The-BadPlus.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261227T190000
DTEND;TZID=America/Chicago:20261227T210000
DTSTAMP:20260928T122840Z
CREATED:20260428T172316Z
LAST-MODIFIED:20260928T122840Z
UID:10003442-1798398000-1798405200@www.dakotacooks.com
SUMMARY:The Bad Plus Farewell Tour Finale
DESCRIPTION:“finely orchestrated\, catchy original tunes\, and a knack for radically reconstituted pop covers.” – The New York Times \n  \nThe Bad Plus are the ultimate originals. A democratic unit with a clear vision and a refusal to conform to convention. For the past two decades\, they have played with spirit and adventure and have made their own rules. Moreover\, they do so with a bold sense of creativity and intent. Avoiding easy categorization\, The Bad Plus has won critical acclaim and a legion of fans worldwide. Further\, their unique sound and flair for live performance make them a must-see ensemble. \nNow in their twenty-sixth year\, The Bad Plus continues to push boundaries. Here\, founding members Reid Anderson (bass) and Dave King (drums) embark on a new piano-less incarnation of the band. Also\, Ben Monder (guitar) and Chris Speed (tenor saxophone) join the group\, instigating a new wave of excitement and anticipation. These new voices are re-energizing their sound and inspiration. The Bad Plus have constantly searched to bridge genres and techniques. Additionally\, they explore the infinite possibilities of exceptional musicians working in perfect sync. \nThe Bad Plus’s sixteenth release\, 2024’s Complex Emotions strikes out in stunning new directions. Here\, it often sounds radically different than anything the band has done before\, while still maintaining the band’s vital and unmistakable identity. Credit that to all four members’ instinctual attraction to song form\, the compelling immediacy of their collective improvisations. Also\, yes\, their willingness to drill down into the full gamut of emotional complexity. The band can veer into so much unexplored terrain yet still emerge sounding like The Bad Plus on Complex Emotions. Thus\, this is a testament to their finely crafted identity and insistence on constantly evolving.  \nThis is The Bad Plus in their most creative and expressive form. This is The Bad Plus now. \nRecommended for fans of Brad Mehldau\, Joshua Redman\, Bill Frisell and Kurt Rosenwinkel.
URL:https://www.dakotacooks.com/event/the-bad-plus-dec2026/2026-12-27/1/
CATEGORIES:Jazz
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/04/700x400-The-BadPlus.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261227T210000
DTEND;TZID=America/Chicago:20261227T230000
DTSTAMP:20260928T122840Z
CREATED:20260428T172316Z
LAST-MODIFIED:20260928T122840Z
UID:10003443-1798405200-1798412400@www.dakotacooks.com
SUMMARY:The Bad Plus Farewell Tour Finale
DESCRIPTION:“finely orchestrated\, catchy original tunes\, and a knack for radically reconstituted pop covers.” – The New York Times \n  \nThe Bad Plus are the ultimate originals. A democratic unit with a clear vision and a refusal to conform to convention. For the past two decades\, they have played with spirit and adventure and have made their own rules. Moreover\, they do so with a bold sense of creativity and intent. Avoiding easy categorization\, The Bad Plus has won critical acclaim and a legion of fans worldwide. Further\, their unique sound and flair for live performance make them a must-see ensemble. \nNow in their twenty-sixth year\, The Bad Plus continues to push boundaries. Here\, founding members Reid Anderson (bass) and Dave King (drums) embark on a new piano-less incarnation of the band. Also\, Ben Monder (guitar) and Chris Speed (tenor saxophone) join the group\, instigating a new wave of excitement and anticipation. These new voices are re-energizing their sound and inspiration. The Bad Plus have constantly searched to bridge genres and techniques. Additionally\, they explore the infinite possibilities of exceptional musicians working in perfect sync. \nThe Bad Plus’s sixteenth release\, 2024’s Complex Emotions strikes out in stunning new directions. Here\, it often sounds radically different than anything the band has done before\, while still maintaining the band’s vital and unmistakable identity. Credit that to all four members’ instinctual attraction to song form\, the compelling immediacy of their collective improvisations. Also\, yes\, their willingness to drill down into the full gamut of emotional complexity. The band can veer into so much unexplored terrain yet still emerge sounding like The Bad Plus on Complex Emotions. Thus\, this is a testament to their finely crafted identity and insistence on constantly evolving.  \nThis is The Bad Plus in their most creative and expressive form. This is The Bad Plus now. \nRecommended for fans of Brad Mehldau\, Joshua Redman\, Bill Frisell and Kurt Rosenwinkel.
URL:https://www.dakotacooks.com/event/the-bad-plus-dec2026/2026-12-27/2/
CATEGORIES:Jazz
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/04/700x400-The-BadPlus.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261228T190000
DTEND;TZID=America/Chicago:20261228T210000
DTSTAMP:20260928T122840Z
CREATED:20260428T172316Z
LAST-MODIFIED:20260928T122840Z
UID:10003444-1798484400-1798491600@www.dakotacooks.com
SUMMARY:The Bad Plus Farewell Tour Finale
DESCRIPTION:“finely orchestrated\, catchy original tunes\, and a knack for radically reconstituted pop covers.” – The New York Times \n  \nThe Bad Plus are the ultimate originals. A democratic unit with a clear vision and a refusal to conform to convention. For the past two decades\, they have played with spirit and adventure and have made their own rules. Moreover\, they do so with a bold sense of creativity and intent. Avoiding easy categorization\, The Bad Plus has won critical acclaim and a legion of fans worldwide. Further\, their unique sound and flair for live performance make them a must-see ensemble. \nNow in their twenty-sixth year\, The Bad Plus continues to push boundaries. Here\, founding members Reid Anderson (bass) and Dave King (drums) embark on a new piano-less incarnation of the band. Also\, Ben Monder (guitar) and Chris Speed (tenor saxophone) join the group\, instigating a new wave of excitement and anticipation. These new voices are re-energizing their sound and inspiration. The Bad Plus have constantly searched to bridge genres and techniques. Additionally\, they explore the infinite possibilities of exceptional musicians working in perfect sync. \nThe Bad Plus’s sixteenth release\, 2024’s Complex Emotions strikes out in stunning new directions. Here\, it often sounds radically different than anything the band has done before\, while still maintaining the band’s vital and unmistakable identity. Credit that to all four members’ instinctual attraction to song form\, the compelling immediacy of their collective improvisations. Also\, yes\, their willingness to drill down into the full gamut of emotional complexity. The band can veer into so much unexplored terrain yet still emerge sounding like The Bad Plus on Complex Emotions. Thus\, this is a testament to their finely crafted identity and insistence on constantly evolving.  \nThis is The Bad Plus in their most creative and expressive form. This is The Bad Plus now. \nRecommended for fans of Brad Mehldau\, Joshua Redman\, Bill Frisell and Kurt Rosenwinkel.
URL:https://www.dakotacooks.com/event/the-bad-plus-dec2026/2026-12-28/1/
CATEGORIES:Jazz
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/04/700x400-The-BadPlus.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261228T210000
DTEND;TZID=America/Chicago:20261228T230000
DTSTAMP:20260928T122840Z
CREATED:20260428T172316Z
LAST-MODIFIED:20260928T122840Z
UID:10003445-1798491600-1798498800@www.dakotacooks.com
SUMMARY:The Bad Plus Farewell Tour Finale
DESCRIPTION:“finely orchestrated\, catchy original tunes\, and a knack for radically reconstituted pop covers.” – The New York Times \n  \nThe Bad Plus are the ultimate originals. A democratic unit with a clear vision and a refusal to conform to convention. For the past two decades\, they have played with spirit and adventure and have made their own rules. Moreover\, they do so with a bold sense of creativity and intent. Avoiding easy categorization\, The Bad Plus has won critical acclaim and a legion of fans worldwide. Further\, their unique sound and flair for live performance make them a must-see ensemble. \nNow in their twenty-sixth year\, The Bad Plus continues to push boundaries. Here\, founding members Reid Anderson (bass) and Dave King (drums) embark on a new piano-less incarnation of the band. Also\, Ben Monder (guitar) and Chris Speed (tenor saxophone) join the group\, instigating a new wave of excitement and anticipation. These new voices are re-energizing their sound and inspiration. The Bad Plus have constantly searched to bridge genres and techniques. Additionally\, they explore the infinite possibilities of exceptional musicians working in perfect sync. \nThe Bad Plus’s sixteenth release\, 2024’s Complex Emotions strikes out in stunning new directions. Here\, it often sounds radically different than anything the band has done before\, while still maintaining the band’s vital and unmistakable identity. Credit that to all four members’ instinctual attraction to song form\, the compelling immediacy of their collective improvisations. Also\, yes\, their willingness to drill down into the full gamut of emotional complexity. The band can veer into so much unexplored terrain yet still emerge sounding like The Bad Plus on Complex Emotions. Thus\, this is a testament to their finely crafted identity and insistence on constantly evolving.  \nThis is The Bad Plus in their most creative and expressive form. This is The Bad Plus now. \nRecommended for fans of Brad Mehldau\, Joshua Redman\, Bill Frisell and Kurt Rosenwinkel.
URL:https://www.dakotacooks.com/event/the-bad-plus-dec2026/2026-12-28/2/
CATEGORIES:Jazz
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/04/700x400-The-BadPlus.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261229T190000
DTEND;TZID=America/Chicago:20261229T210000
DTSTAMP:20261012T130427Z
CREATED:20261007T220328Z
LAST-MODIFIED:20261012T130427Z
UID:10003673-1798570800-1798578000@www.dakotacooks.com
SUMMARY:The New Standards Preener's Eve Show
DESCRIPTION:“The DNA of the band and its members has its feet firmly rooted into punk/pop culture.” – New York Times\n  \nMinnesota stalwarts The New Standards create an intriguing blend of everything from classic cabaret to punk rock. They blend the freedom of jazz with the soul of pop and rock. They make it work through offbeat humor and sheer musicianship. The instrumentation is simple: John Munson of Trip Shakespeare/Semisonic fame on bass; Chan Poling\, founder of the new-wave group The Suburbs on piano; and Steve Roehm on vibes. Chan and John split the singing. A footstomp here\, a shout-out there\, a fiery solo\, and it’s cooked. Simple\, elegant\, illuminating. \nThe New Standards started in 2005 as an off-shoot project. Since then\, TNS has grown into a globe-spanning adventure\, filling theaters and clubs around the world. Additionally\, they have created several albums\, videos\, cartoons\, dance/theater projects\, and ancillary gewgaws that have charmed and delighted faithful fans. \nAll three are fans of great songwriting. However\, they sensed a lack of an interesting jazz trio repertoire beyond the usual “old standards”. They got together originally to play and sing their favorite songs from every era\, particularly post-1960s pop music. Familiar tunes in a stripped-down acoustic setting\, leaving room for solos and arrangements with the freedom of jazz. Yet\, they never fully abandon the modest soul of pop and rock. \nAnother thing: though you may associate an acoustic tango version of Britney Spears’s “Toxic” with camp\, TNS is not a lounge or novelty act. One listen to their music reveals that they take their music-making as well as their jobs as entertainers seriously. \nAnd yet\, they are very funny. \nRecommended for fans of Joe Henry\, Semisonic\, The Suburbs and Dylan Hicks.
URL:https://www.dakotacooks.com/event/the-new-standards-preeners-eve-show-dec-2026/2026-12-29/
CATEGORIES:Jazz,Pop
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/10/700x400-TheNewStandards.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261230T190000
DTEND;TZID=America/Chicago:20261230T210000
DTSTAMP:20261012T130427Z
CREATED:20261007T220328Z
LAST-MODIFIED:20261012T130427Z
UID:10003675-1798657200-1798664400@www.dakotacooks.com
SUMMARY:The New Standards Preener's Eve Show
DESCRIPTION:“The DNA of the band and its members has its feet firmly rooted into punk/pop culture.” – New York Times\n  \nMinnesota stalwarts The New Standards create an intriguing blend of everything from classic cabaret to punk rock. They blend the freedom of jazz with the soul of pop and rock. They make it work through offbeat humor and sheer musicianship. The instrumentation is simple: John Munson of Trip Shakespeare/Semisonic fame on bass; Chan Poling\, founder of the new-wave group The Suburbs on piano; and Steve Roehm on vibes. Chan and John split the singing. A footstomp here\, a shout-out there\, a fiery solo\, and it’s cooked. Simple\, elegant\, illuminating. \nThe New Standards started in 2005 as an off-shoot project. Since then\, TNS has grown into a globe-spanning adventure\, filling theaters and clubs around the world. Additionally\, they have created several albums\, videos\, cartoons\, dance/theater projects\, and ancillary gewgaws that have charmed and delighted faithful fans. \nAll three are fans of great songwriting. However\, they sensed a lack of an interesting jazz trio repertoire beyond the usual “old standards”. They got together originally to play and sing their favorite songs from every era\, particularly post-1960s pop music. Familiar tunes in a stripped-down acoustic setting\, leaving room for solos and arrangements with the freedom of jazz. Yet\, they never fully abandon the modest soul of pop and rock. \nAnother thing: though you may associate an acoustic tango version of Britney Spears’s “Toxic” with camp\, TNS is not a lounge or novelty act. One listen to their music reveals that they take their music-making as well as their jobs as entertainers seriously. \nAnd yet\, they are very funny. \nRecommended for fans of Joe Henry\, Semisonic\, The Suburbs and Dylan Hicks.
URL:https://www.dakotacooks.com/event/the-new-standards-preeners-eve-show-dec-2026/2026-12-30/1/
CATEGORIES:Jazz,Pop
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/10/700x400-TheNewStandards.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20261230T210000
DTEND;TZID=America/Chicago:20261230T230000
DTSTAMP:20261012T130427Z
CREATED:20261007T220328Z
LAST-MODIFIED:20261012T130427Z
UID:10003676-1798664400-1798671600@www.dakotacooks.com
SUMMARY:The New Standards Preener's Eve Show
DESCRIPTION:“The DNA of the band and its members has its feet firmly rooted into punk/pop culture.” – New York Times\n  \nMinnesota stalwarts The New Standards create an intriguing blend of everything from classic cabaret to punk rock. They blend the freedom of jazz with the soul of pop and rock. They make it work through offbeat humor and sheer musicianship. The instrumentation is simple: John Munson of Trip Shakespeare/Semisonic fame on bass; Chan Poling\, founder of the new-wave group The Suburbs on piano; and Steve Roehm on vibes. Chan and John split the singing. A footstomp here\, a shout-out there\, a fiery solo\, and it’s cooked. Simple\, elegant\, illuminating. \nThe New Standards started in 2005 as an off-shoot project. Since then\, TNS has grown into a globe-spanning adventure\, filling theaters and clubs around the world. Additionally\, they have created several albums\, videos\, cartoons\, dance/theater projects\, and ancillary gewgaws that have charmed and delighted faithful fans. \nAll three are fans of great songwriting. However\, they sensed a lack of an interesting jazz trio repertoire beyond the usual “old standards”. They got together originally to play and sing their favorite songs from every era\, particularly post-1960s pop music. Familiar tunes in a stripped-down acoustic setting\, leaving room for solos and arrangements with the freedom of jazz. Yet\, they never fully abandon the modest soul of pop and rock. \nAnother thing: though you may associate an acoustic tango version of Britney Spears’s “Toxic” with camp\, TNS is not a lounge or novelty act. One listen to their music reveals that they take their music-making as well as their jobs as entertainers seriously. \nAnd yet\, they are very funny. \nRecommended for fans of Joe Henry\, Semisonic\, The Suburbs and Dylan Hicks.
URL:https://www.dakotacooks.com/event/the-new-standards-preeners-eve-show-dec-2026/2026-12-30/2/
CATEGORIES:Jazz,Pop
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/10/700x400-TheNewStandards.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270102T190000
DTEND;TZID=America/Chicago:20270102T210000
DTSTAMP:20260914T134742Z
CREATED:20260910T224506Z
LAST-MODIFIED:20260914T134742Z
UID:10003637-1798916400-1798923600@www.dakotacooks.com
SUMMARY:Kindred the Family Soul
DESCRIPTION:“inspiring melds of soul\, R&B\, hip-hop\, funk\, pop… A mindblower.” – AllMusic\n  \nKindred the Family Soul is a Grammy-nominated adult contemporary R&B duo from Philadelphia consisting of husband-and-wife Fatin Dantzler and Aja Graydon. Big hit singles elude them\, but they maintain a strong following that appreciates their unwavering dedication to releasing relatable\, mature R&B. Also\, Dantzler and Graydon co-write most of their songs\, which are rooted in traditional soul and gospel.  \nDantzler and Graydon began as solo performers. Dantzler was born in Philadelphia and got his start in the music business writing songs for Pebbles and Bell Biv DeVoe. Graydon\, from Washington\, D.C.\, signed a solo deal at the age of 15. The two united and began writing songs\, but then married and started a family. However\, Dantzler went back to trying to make it on the local scene. He and Graydon began performing at the Black Lily club\, where they caught the attention of Jill Scott.   \nThey spent the next two years working on the debut Kindred the Family Soul album\, 2003’s Surrender to Love. It featured an impressive cast of collaborators\, including Scott\, string arranger Larry Gold\, Bilal\, King Britt\, and Jazmine Sullivan. Thus\, it was nominated for a Grammy in the category of Best R&B/Soul Album. 2005’s In This Life Together was inspired by Ruby Dee and Ossie Davis’ memoir of the same name. 2008’s The Arrival became their highest-charting title to that point. Here\, it reached number sixty-seven on the Billboard 200 and number seven on the R&B Albums chart.  \n2011’s Love Has No Recession features guests ranging from go-go pioneer Chuck Brown to relative newcomer BJ the Chicago Kid. Kindred’s sixth full-length\, 2016’s Legacy of Love\, climbed into the top fifteen of the Billboard R&B chart. \nRecommended for fans of Ledisi\, Eric Roberson\, Avery*Sunshine and Stokley.
URL:https://www.dakotacooks.com/event/kindred-the-family-soul-jan2-2027/
CATEGORIES:R&B
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/09/700x400-KindredTheFamilySoul.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270105T190000
DTEND;TZID=America/Chicago:20270105T210000
DTSTAMP:20261019T124701Z
CREATED:20261014T190149Z
LAST-MODIFIED:20261019T124701Z
UID:10003692-1799175600-1799182800@www.dakotacooks.com
SUMMARY:Brittany Davis & Black Thunder
DESCRIPTION:“a towering achievement and a visionary musical statement” – AllMusic\n  \n2025’s Black Thunder is the dazzling\, fully improvised\, fully realized new album by Seattle-based musician\, producer\, and engineer Brittany Davis. This album features the artist on keys and vocals\, Evan Flory-Barnes on bass\, and D’Vonne Lewis on drums. It recalls artists like Nina Simone\, Roberta Flack\, and Rahsaan Roland Kirk in its immersive\, incantatory spirit. \nThe trio — who barely knew each other previously — extemporized Black Thunder in a surge of interactive creativity. They recorded the entire album over two days in the studio. The pressure-cooker environment removed any overthinking and brought each musician’s A-game. Steeped in Black and Afrocentric cultural influences\, this is Davis’s most poignant and cathartic work to date. \n“draws on Davis’ organic connection to spirit\, song and soul” – DownBeat \n“Brittany\, Evan\, and D’Vonne have\, in some way\, been preparing for this recording all their lives. Honing their instrumental craft and ability\, of course. But more importantly\, preparing their ears\, emotions\, and egos to be fully present and create absolutely in the moment\,” producer Josh Evans (Pearl Jam) says. “To listen deeply and respond empathetically. To speak with uncomfortable honesty; to listen\, and be vulnerable.” \nBlack Thunder marks a shift away from the drum machines and programmed keys of her previous album\, 2024’s Image Issues. This is a fully live\, organic performance\, one that showcases her stylistic maturation and the breadth of her versatility. \nBlack Thunder may contain a throng of voices\, but they coalesce into one. Here is a sui generis artist charting a course all her own. By bulldozing easy narratives and accessing the realm of pure feeling\, Davis’ latest missive is a creative thunderclap that will be impossible to unhear. \nRecommended for fans of Nina Simone\, Isaiah Collier\, Kamasi Washington and Roberta Flack.
URL:https://www.dakotacooks.com/event/brittany-davis-black-thunder-jan5-2026/
CATEGORIES:Jazz
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/10/700x400-BrittanyDavisBlackThunder.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270106T190000
DTEND;TZID=America/Chicago:20270106T210000
DTSTAMP:20261019T124648Z
CREATED:20261013T172449Z
LAST-MODIFIED:20261019T124648Z
UID:10003682-1799262000-1799269200@www.dakotacooks.com
SUMMARY:Our House: Tribute to Crosby\, Stills\, Nash & Young
DESCRIPTION:Celebrating the legacy of Crosby\, Stills\, Nash & Young.\n  \nOur House celebrates the legacy of Crosby\, Stills\, Nash & Young. They do this through authentic\, heartfelt performances that capture the essence of their timeless music. \nOur House was formed in 2022. Six talented musicians unite under a shared passion for the timeless music of Crosby\, Stills\, Nash & Young. Each member brings their unique skills and experiences to the stage. They create a harmonious blend that pays homage to the legendary supergroup. Inspired by the enduring appeal of CSNY’s music\, Our House is dedicated to delivering pure\, unembellished performances. They highlight the power of the music\, its lyrics\, and the emotions they evoke. \nRecommended for fans of CSNY\, The Eagles\, Blind Faith and Allman Brothers Band.
URL:https://www.dakotacooks.com/event/our-house-tribute-to-crosby-stills-nash-young-jan6-2027/
CATEGORIES:Americana,Rock
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/06/700x400-OurHouse.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270108T190000
DTEND;TZID=America/Chicago:20270108T210000
DTSTAMP:20260928T123202Z
CREATED:20260922T163657Z
LAST-MODIFIED:20260928T123202Z
UID:10003650-1799434800-1799442000@www.dakotacooks.com
SUMMARY:URBAN CLASSIC PRESENTS EARTH\, WIND & FIRE
DESCRIPTION:Join Minneapolis’ own Urban Classic\, led by Michael Bland\, for a show dedicated to the music of Earth\, Wind & Fire. Prepare to groove as this powerhouse band\, featuring a horn section\, delivers a high-energy performance of the legendary Earth Wind and Fire funk\, soul\, and R&B hits. Michael Bland and his band will deliver a powerful and electrifying performance of the EWF major hits. This is a powerhouse performance you won’t want to miss. \nDrummer Michael Bland is best known for his work with Prince and the New Power Generation. Starting in 1989\, he was a member of NPG. Bland also played with Prince live and on albums for seven years. In 2010\, Bland became a member of Nick Jonas & the Administration\, a side project of Nick Jonas (Jonas Brothers). Bland worked with Vulfpeck\, playing drums on the 2017 single “Hero Town”. Additionally\, he has recorded with Cory Wong several times. Bland is also a member of Soul Asylum. \nFeaturing:\nMichael Bland\, Musical Director and drums (NPG/Soul Asylum)\nAshley Commodore\, vocals (Stokley)\nG Sharp\, vocals (Mazarati)\nTommy Barbarella\, keyboards (NPG/Nick Jonas)\nRon Long\, bass (Purple Experience)\nGeoff LeCrone\, guitar (Dr. Mambo’s Combo/Andrew Walesch Orchestra)\nScott Agster\, trombone\nRiley Helgeson\, trumpet\nJosh May\, trumpet\nJohn Bertsch\, saxophone
URL:https://www.dakotacooks.com/event/urban-classic-presents-earth-wind-fire-jan8-2027/
CATEGORIES:R&B
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/09/700x400-UrbanClassicEWF.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270110T190000
DTEND;TZID=America/Chicago:20270110T230000
DTSTAMP:20261012T130419Z
CREATED:20261007T222502Z
LAST-MODIFIED:20261012T130419Z
UID:10003677-1799607600-1799622000@www.dakotacooks.com
SUMMARY:Bizhiki
DESCRIPTION:“artfully use powwow vocals as a counterpoint to melody-driven arrangements… their power is commanding” – Guardian\n  \nUnbound\, Bizhiki’s 2024 album\, opens with a single\, trembling chord that rises and descends before meeting a warm\, beguiling voice. This voice sings in a tradition that people have heard in this northern river country for millennia. The music that follows is a soulful dialogue between the ancient tradition of powwow singing and a contemporary musical palette. On Unbound\, Bizhiki entwines the powwow style with synthesized voice modulation\, and accents hand drumming with electronic samples and beats. The harmonies and resonances on this album are equal parts cultural and musical. \nMany of the songs on this album go back to when the spirit of the Bizhiki was forged\, over a decade ago\, on the banks of Wisconsin’s Chippewa River. Dylan Bizhikiins Jennings\, one of the two principal Native voices on the album\, remembers getting an invitation to play the Eaux Claires festival in 2015. “I was driving up in Cornucopia\, Wisconsin — way out in the middle of nowhere —and I got a call.” There was a festival on the Ojibwe’s ancestral homelands\, and the organizers wouldn’t feel right without the involvement of the land’s native communities. “I agreed\,” he remembers. “And I told them I wished more people thought like this. That they would say ‘we’re gonna give your people space and just invite you to do what you wanna do.’” \nBizhiki’s Unbound is a collaboration between a group of singers and musicians at a particular time and place. All of them look to help by exchanging ideas in an open-ended dialogue. Bizhikiins Jennings says there’s a lesson here for himself and his new group. “Just like in life\, we’re learning and we’re maturing\, and we’re becoming who we are.” \nRecommended for fans of Bon Iver\, Keith Secola\, Jeremy Dutcher and Northern Cree.
URL:https://www.dakotacooks.com/event/bizhiki-jan10-2027/
CATEGORIES:Alternative,Jazz
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/10/700x400-Bizhiki.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270118T190000
DTEND;TZID=America/Chicago:20270118T210000
DTSTAMP:20260921T133041Z
CREATED:20260914T210814Z
LAST-MODIFIED:20260921T133041Z
UID:10003639-1800298800-1800306000@www.dakotacooks.com
SUMMARY:Rebirth Brass Band
DESCRIPTION:“there is not a band on earth that is better. Stunning.” – Flea\, Red Hot Chili Peppers\n  \nFor almost four decades\, the Grammy-winning Rebirth Brass Band has been “stunning” fans. Further\, they are loved worldwide for their fiery live shows and rich musical catalog. Their trademark sound pays homage to the New Orleans brass band tradition. Also\, they weave a tapestry that combines elements of jazz\, funk\, soul\, R&B. Then\, they incorporate more of the sounds from the streets they grew up on. Their sound has traveled from their legendary twenty-five-year run of Tuesday nights at the Maple Leaf to stages all over the world. Rebirth is the soundtrack of the Crescent City and her premier musical ambassador. \nRebirth was founded by brothers Phil and Keith Frazier over thirty-five years ago. They began their career playing on the sidewalks of the French Quarter and quickly landed gigs at second line parades. Those auspicious beginnings have led to thousands of shows to music aficionados everywhere\, including heads of state and royalty. \nThe band’s unique “soundtrack of New Orleans” has also garnered admiration from artists of all genres. They’ve shared the stage and collaborated with everyone from the Grateful Dead to the Red Hot Chili Peppers. Also\, Maceo Parker\, Green Day\, U2\, James Brown\, 311\, G-Love\, MuteMath\, Juvenile\, Train\, Big Freedia\, Ani DiFranco\, and Galactic. Further\, Allen Toussaint\, Neville Brothers\, Quincy Jones and Trombone Shorty. \nRecommended for fans of Trombone Shorty\, The Dirty Dozen Brass Band\, Kermit Ruffins and Preservation Hall Jazz Band.
URL:https://www.dakotacooks.com/event/rebirth-brass-band-jan18-2027/2027-01-18/1/
CATEGORIES:Jazz,R&B
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2025/10/700x400-RebirthBrassBand.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270118T210000
DTEND;TZID=America/Chicago:20270118T230000
DTSTAMP:20260921T133041Z
CREATED:20260914T210814Z
LAST-MODIFIED:20260921T133041Z
UID:10003640-1800306000-1800313200@www.dakotacooks.com
SUMMARY:Rebirth Brass Band
DESCRIPTION:“there is not a band on earth that is better. Stunning.” – Flea\, Red Hot Chili Peppers\n  \nFor almost four decades\, the Grammy-winning Rebirth Brass Band has been “stunning” fans. Further\, they are loved worldwide for their fiery live shows and rich musical catalog. Their trademark sound pays homage to the New Orleans brass band tradition. Also\, they weave a tapestry that combines elements of jazz\, funk\, soul\, R&B. Then\, they incorporate more of the sounds from the streets they grew up on. Their sound has traveled from their legendary twenty-five-year run of Tuesday nights at the Maple Leaf to stages all over the world. Rebirth is the soundtrack of the Crescent City and her premier musical ambassador. \nRebirth was founded by brothers Phil and Keith Frazier over thirty-five years ago. They began their career playing on the sidewalks of the French Quarter and quickly landed gigs at second line parades. Those auspicious beginnings have led to thousands of shows to music aficionados everywhere\, including heads of state and royalty. \nThe band’s unique “soundtrack of New Orleans” has also garnered admiration from artists of all genres. They’ve shared the stage and collaborated with everyone from the Grateful Dead to the Red Hot Chili Peppers. Also\, Maceo Parker\, Green Day\, U2\, James Brown\, 311\, G-Love\, MuteMath\, Juvenile\, Train\, Big Freedia\, Ani DiFranco\, and Galactic. Further\, Allen Toussaint\, Neville Brothers\, Quincy Jones and Trombone Shorty. \nRecommended for fans of Trombone Shorty\, The Dirty Dozen Brass Band\, Kermit Ruffins and Preservation Hall Jazz Band.
URL:https://www.dakotacooks.com/event/rebirth-brass-band-jan18-2027/2027-01-18/2/
CATEGORIES:Jazz,R&B
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2025/10/700x400-RebirthBrassBand.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270128T190000
DTEND;TZID=America/Chicago:20270128T210000
DTSTAMP:20261019T124639Z
CREATED:20261013T173928Z
LAST-MODIFIED:20261019T124639Z
UID:10003683-1801162800-1801170000@www.dakotacooks.com
SUMMARY:The Cookers: 20th Anniversary Tour
DESCRIPTION:“A dream team of forward-leaning hard-bop” – New York Times\n  \nDonald Harrison\, saxophone\nBilly Harper\, saxophone\nCecil McBee\, bass\nGeorge Cables\, piano\nEddie Henderson\, trumpet\nDavid Weiss\, trumpet\nBilly Hart\, drums \nExperience counts\, especially in jazz. The more time musicians spend interpreting tunes and interacting with others\, the more articulation an audience can expect. You can hear the fruits of such work in the expressive language The Cookers bring to the bandstand. This exciting all-star septet summons an aggressive mid ‘60s spirit with a potent collection of expansive post-bop originals. They have the requisite killer instincts and pyrotechnic playing expected of some of the heaviest hitters today. \nBilly Harper\, Cecil McBee\, George Cables\, Eddie Henderson\, and Billy Hart started in the heady era of the mid ‘60s. That period found the dimensions of hard bop morphing from their original designs. Further\, each artist helped facilitate the process as members of some of the most important bands of the era. Hart and Henderson were members of Herbie Hancock’s groundbreaking Mwandishi group. Cecil McBee anchored Charles Lloyd’s great ’60s quartet alongside Keith Jarrett and Jack DeJohnette. Billy Harper was part of Lee Morgan’s last group\, and also Max Roach’s Quartet and Art Blakey’s Jazz Messengers. George Cables was featured in groups led by Sonny Rollins\, Joe Henderson\, Freddie Hubbard\, Dexter Gordon and Art Pepper. \nDavid Weiss and Donald Harrison are from a more recent generation and are the youngest members of the band. There\, they gained experience performing with Art Blakey\, Bobby Hutcherson\, Freddie Hubbard\, Charles Tolliver\, Roy Haynes and Herbie Hancock. \nRecommended for fans of the Jazz Messengers\, Lee Morgan\, Herbie Hancock and the SFJazz Collective.
URL:https://www.dakotacooks.com/event/the-cookers-20th-anniversary-tour-jan28-2027/
CATEGORIES:Jazz
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2025/11/700x400-TheCookers.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270203T190000
DTEND;TZID=America/Chicago:20270203T210000
DTSTAMP:20261005T124211Z
CREATED:20260930T165727Z
LAST-MODIFIED:20261005T124211Z
UID:10003659-1801681200-1801688400@www.dakotacooks.com
SUMMARY:Maria Schneider Orchestra
DESCRIPTION:“breathtaking\, full of inspired composition and musicianship.” – DownBeat\n  \nMaria Schneider’s music has been described as “evocative\, majestic\, heart-stoppingly gorgeous\, epic and beyond categorization.” Blurring the boundaries between jazz and classical traditions\, she is among the few artists to receive Grammy Awards in multiple genres. She has received honors in jazz and classical categories\, as well as for her work with David Bowie. \nSince her debut recording\, 1994’s Evanescence\, Schneider has developed a distinctive compositional language for her 18-member orchestra. She writes specifically for the individualistic voices within the ensemble. The group has performed worldwide\, and Schneider has guest-conducted more than ninety ensembles across thirty countries. \nHer most recent project\, 2026’s American Crow\, expands her work into a cinematic dimension. Released as both a music video and EP\, the piece pairs sweeping orchestration with striking visual imagery. Schneider uses jazz to illustrate the art of listening\, a practice she feels could help heal our fractured cultural landscape. The work continues her group’s exploration of collective listening and the emotional power of large-ensemble storytelling. \nSchneider’s double album\, 2020’s Data Lords was a Pulitzer Prize Finalist and won two Grammy Awards. It was named Jazz Album of the Year by the Jazz Journalists Association and NPR and received France’s Grand Prix de l’Académie du Jazz. The project fused her artistic vision with her longstanding advocacy around technology and culture. As NPR’s Nate Chinen wrote\, it “amounts to the most daring work of Schneider’s career.” \nHer honors include fourteen Grammy nominations and seven Grammy Awards\, and designation as an NEA Jazz Master. She has also been elected to the American Academy of Arts and Letters\, and received the ASCAP Concert Music Award. \nRecommended for fans of Toshiko Akiyoshi\, Thad Jones/Mel Lewis Orchestra\, Terence Blanchard and Carla Bley.
URL:https://www.dakotacooks.com/event/maria-schneider-orchestra-feb-2027/2027-02-03/1/
CATEGORIES:Jazz
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/09/700x400-MariaSchneider.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270203T210000
DTEND;TZID=America/Chicago:20270203T230000
DTSTAMP:20261005T124211Z
CREATED:20260930T165727Z
LAST-MODIFIED:20261005T124211Z
UID:10003660-1801688400-1801695600@www.dakotacooks.com
SUMMARY:Maria Schneider Orchestra
DESCRIPTION:“breathtaking\, full of inspired composition and musicianship.” – DownBeat\n  \nMaria Schneider’s music has been described as “evocative\, majestic\, heart-stoppingly gorgeous\, epic and beyond categorization.” Blurring the boundaries between jazz and classical traditions\, she is among the few artists to receive Grammy Awards in multiple genres. She has received honors in jazz and classical categories\, as well as for her work with David Bowie. \nSince her debut recording\, 1994’s Evanescence\, Schneider has developed a distinctive compositional language for her 18-member orchestra. She writes specifically for the individualistic voices within the ensemble. The group has performed worldwide\, and Schneider has guest-conducted more than ninety ensembles across thirty countries. \nHer most recent project\, 2026’s American Crow\, expands her work into a cinematic dimension. Released as both a music video and EP\, the piece pairs sweeping orchestration with striking visual imagery. Schneider uses jazz to illustrate the art of listening\, a practice she feels could help heal our fractured cultural landscape. The work continues her group’s exploration of collective listening and the emotional power of large-ensemble storytelling. \nSchneider’s double album\, 2020’s Data Lords was a Pulitzer Prize Finalist and won two Grammy Awards. It was named Jazz Album of the Year by the Jazz Journalists Association and NPR and received France’s Grand Prix de l’Académie du Jazz. The project fused her artistic vision with her longstanding advocacy around technology and culture. As NPR’s Nate Chinen wrote\, it “amounts to the most daring work of Schneider’s career.” \nHer honors include fourteen Grammy nominations and seven Grammy Awards\, and designation as an NEA Jazz Master. She has also been elected to the American Academy of Arts and Letters\, and received the ASCAP Concert Music Award. \nRecommended for fans of Toshiko Akiyoshi\, Thad Jones/Mel Lewis Orchestra\, Terence Blanchard and Carla Bley.
URL:https://www.dakotacooks.com/event/maria-schneider-orchestra-feb-2027/2027-02-03/2/
CATEGORIES:Jazz
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/09/700x400-MariaSchneider.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270204T190000
DTEND;TZID=America/Chicago:20270204T210000
DTSTAMP:20261005T124211Z
CREATED:20260930T165727Z
LAST-MODIFIED:20261005T124211Z
UID:10003661-1801767600-1801774800@www.dakotacooks.com
SUMMARY:Maria Schneider Orchestra
DESCRIPTION:“breathtaking\, full of inspired composition and musicianship.” – DownBeat\n  \nMaria Schneider’s music has been described as “evocative\, majestic\, heart-stoppingly gorgeous\, epic and beyond categorization.” Blurring the boundaries between jazz and classical traditions\, she is among the few artists to receive Grammy Awards in multiple genres. She has received honors in jazz and classical categories\, as well as for her work with David Bowie. \nSince her debut recording\, 1994’s Evanescence\, Schneider has developed a distinctive compositional language for her 18-member orchestra. She writes specifically for the individualistic voices within the ensemble. The group has performed worldwide\, and Schneider has guest-conducted more than ninety ensembles across thirty countries. \nHer most recent project\, 2026’s American Crow\, expands her work into a cinematic dimension. Released as both a music video and EP\, the piece pairs sweeping orchestration with striking visual imagery. Schneider uses jazz to illustrate the art of listening\, a practice she feels could help heal our fractured cultural landscape. The work continues her group’s exploration of collective listening and the emotional power of large-ensemble storytelling. \nSchneider’s double album\, 2020’s Data Lords was a Pulitzer Prize Finalist and won two Grammy Awards. It was named Jazz Album of the Year by the Jazz Journalists Association and NPR and received France’s Grand Prix de l’Académie du Jazz. The project fused her artistic vision with her longstanding advocacy around technology and culture. As NPR’s Nate Chinen wrote\, it “amounts to the most daring work of Schneider’s career.” \nHer honors include fourteen Grammy nominations and seven Grammy Awards\, and designation as an NEA Jazz Master. She has also been elected to the American Academy of Arts and Letters\, and received the ASCAP Concert Music Award. \nRecommended for fans of Toshiko Akiyoshi\, Thad Jones/Mel Lewis Orchestra\, Terence Blanchard and Carla Bley.
URL:https://www.dakotacooks.com/event/maria-schneider-orchestra-feb-2027/2027-02-04/1/
CATEGORIES:Jazz
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/09/700x400-MariaSchneider.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270204T210000
DTEND;TZID=America/Chicago:20270204T230000
DTSTAMP:20261005T124211Z
CREATED:20260930T165727Z
LAST-MODIFIED:20261005T124211Z
UID:10003662-1801774800-1801782000@www.dakotacooks.com
SUMMARY:Maria Schneider Orchestra
DESCRIPTION:“breathtaking\, full of inspired composition and musicianship.” – DownBeat\n  \nMaria Schneider’s music has been described as “evocative\, majestic\, heart-stoppingly gorgeous\, epic and beyond categorization.” Blurring the boundaries between jazz and classical traditions\, she is among the few artists to receive Grammy Awards in multiple genres. She has received honors in jazz and classical categories\, as well as for her work with David Bowie. \nSince her debut recording\, 1994’s Evanescence\, Schneider has developed a distinctive compositional language for her 18-member orchestra. She writes specifically for the individualistic voices within the ensemble. The group has performed worldwide\, and Schneider has guest-conducted more than ninety ensembles across thirty countries. \nHer most recent project\, 2026’s American Crow\, expands her work into a cinematic dimension. Released as both a music video and EP\, the piece pairs sweeping orchestration with striking visual imagery. Schneider uses jazz to illustrate the art of listening\, a practice she feels could help heal our fractured cultural landscape. The work continues her group’s exploration of collective listening and the emotional power of large-ensemble storytelling. \nSchneider’s double album\, 2020’s Data Lords was a Pulitzer Prize Finalist and won two Grammy Awards. It was named Jazz Album of the Year by the Jazz Journalists Association and NPR and received France’s Grand Prix de l’Académie du Jazz. The project fused her artistic vision with her longstanding advocacy around technology and culture. As NPR’s Nate Chinen wrote\, it “amounts to the most daring work of Schneider’s career.” \nHer honors include fourteen Grammy nominations and seven Grammy Awards\, and designation as an NEA Jazz Master. She has also been elected to the American Academy of Arts and Letters\, and received the ASCAP Concert Music Award. \nRecommended for fans of Toshiko Akiyoshi\, Thad Jones/Mel Lewis Orchestra\, Terence Blanchard and Carla Bley.
URL:https://www.dakotacooks.com/event/maria-schneider-orchestra-feb-2027/2027-02-04/2/
CATEGORIES:Jazz
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/09/700x400-MariaSchneider.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270206T190000
DTEND;TZID=America/Chicago:20270206T210000
DTSTAMP:20261019T124628Z
CREATED:20261013T180738Z
LAST-MODIFIED:20261019T124628Z
UID:10003686-1801940400-1801947600@www.dakotacooks.com
SUMMARY:Chastity Brown
DESCRIPTION:“brooding soul eloquence… and folk-infected naturalness.”  – NPR\n  \nGospel and blues\, melodic sensibility\, and honest emotion… \nBased in Minnesota\, with roots in Tennessee\, Chastity Brown grew up surrounded by country and soul music. In the gospel church of her childhood\, she played saxophone and drums. She also found her singing voice and a passion for music. NPR’s “Favorite Sessions\,” CMT\, American Songwriter\, the London Times and Paste Magazine have all featured her. She has shared the stage with artists as diverse as Ani Difranco\, Andrea Gibson\, Indigo Girls\, The National\, Justin Vernon\, and Micheal Kiwanuka. \nBrown’s latest\, 2022’s Sing To The Walls\, is a sonically expansive album\, mining the roots of Americana\, folk\, and soul music. Chastity delivers her stories in a style that feels remarkably timely\, modern\, and forward-thinking. These songs unfold with Chastity’s expressive voice and expansive melodies\, leading the listener through intertwining tendrils of atmospheric sounds. \nBetween writing sessions she’s been vibing to chilled-out\, forward thinking artists like Leon Bridges\, H.E.R.\, SZA\, and Daniel Caesar. Like them\, she expands beyond genre and her folk/roots history to encompass her appreciation of all Black American musical art forms. “I also want to poke at what the blues is\,” Chastity reflects. “It has a lot of stereotypes\, like it’s mostly only played by blue-eyed white guys now. But what about Bessie Smith and Ma Rainey? I feel so closely connected\, in a pure\, undeviating lineage\, to the heritage of being a Black\, queer blues woman.” \n📸: Brad Ogbonna \nRecommended for fans of Amythyst Kiah\, Rhiannon Giddens\, Valerie June and Brittany Howard.
URL:https://www.dakotacooks.com/event/chastity-brown-feb-2027/2027-02-06/
CATEGORIES:Americana,Rock
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2025/10/700x400-ChastityBrown.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270207T190000
DTEND;TZID=America/Chicago:20270207T210000
DTSTAMP:20261019T124628Z
CREATED:20261013T180738Z
LAST-MODIFIED:20261019T124628Z
UID:10003687-1802026800-1802034000@www.dakotacooks.com
SUMMARY:Chastity Brown
DESCRIPTION:“brooding soul eloquence… and folk-infected naturalness.”  – NPR\n  \nGospel and blues\, melodic sensibility\, and honest emotion… \nBased in Minnesota\, with roots in Tennessee\, Chastity Brown grew up surrounded by country and soul music. In the gospel church of her childhood\, she played saxophone and drums. She also found her singing voice and a passion for music. NPR’s “Favorite Sessions\,” CMT\, American Songwriter\, the London Times and Paste Magazine have all featured her. She has shared the stage with artists as diverse as Ani Difranco\, Andrea Gibson\, Indigo Girls\, The National\, Justin Vernon\, and Micheal Kiwanuka. \nBrown’s latest\, 2022’s Sing To The Walls\, is a sonically expansive album\, mining the roots of Americana\, folk\, and soul music. Chastity delivers her stories in a style that feels remarkably timely\, modern\, and forward-thinking. These songs unfold with Chastity’s expressive voice and expansive melodies\, leading the listener through intertwining tendrils of atmospheric sounds. \nBetween writing sessions she’s been vibing to chilled-out\, forward thinking artists like Leon Bridges\, H.E.R.\, SZA\, and Daniel Caesar. Like them\, she expands beyond genre and her folk/roots history to encompass her appreciation of all Black American musical art forms. “I also want to poke at what the blues is\,” Chastity reflects. “It has a lot of stereotypes\, like it’s mostly only played by blue-eyed white guys now. But what about Bessie Smith and Ma Rainey? I feel so closely connected\, in a pure\, undeviating lineage\, to the heritage of being a Black\, queer blues woman.” \n📸: Brad Ogbonna \nRecommended for fans of Amythyst Kiah\, Rhiannon Giddens\, Valerie June and Brittany Howard.
URL:https://www.dakotacooks.com/event/chastity-brown-feb-2027/2027-02-07/
CATEGORIES:Americana,Rock
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2025/10/700x400-ChastityBrown.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20270213T183000
DTEND;TZID=America/Chicago:20270213T203000
DTSTAMP:20260921T133029Z
CREATED:20260914T211327Z
LAST-MODIFIED:20260921T133029Z
UID:10003641-1802543400-1802550600@www.dakotacooks.com
SUMMARY:Steely Dane
DESCRIPTION:“the band is energetic and sounds amazing” – Milwaukee Magazine\n  \nIn 2010\, co-founders David Adler and David Stoler (The Steely Daves) put together a tribute show for Steely Dan. There\, they would feature the best musicians in the Madison\, WI music scene. Madison is located in Dane County\, WI\, thus the name.  \nThe first Steely Dane show featured over thirty of Madison’s best rock and jazz musicians\, and it sold out. Not ones to waste a herculean effort of arranging a full night’s worth of the Dan’s best stuff\, the crew decided to do it again\, and again… and oops\, now it’s no longer a show\, it’s a BAND.  \nSince then\, the band has trimmed down to the current fourteen-piece family. Now\, that features a four-piece horn section\, two female backup singers\, two guitars\, two keyboards\, vibes\, and percussion. Here\, they have all the instruments necessary to recreate the amazing mixes of the Dan’s albums and live performances. Moreover\, the band has won multiple awards for best tribute band and sold out theaters from Chicago to Minneapolis. Additionally\, they are a perennial favorite at summer festivals as well.  \nTheir songbook features over fifty songs from both Steely Dan and Donald Fagen’s solo career. This allows them to play different shows night after night. Furthermore\, they have even performed complete album shows for The Royal Scam\, Aja\, and Gaucho. \nRecommended for fans of Steely Dan\, Donald Fagen\, Fleetwood Mac and The Eagles.
URL:https://www.dakotacooks.com/event/steely-dane-feb13-2027/2027-02-13/1/
CATEGORIES:Rock
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/09/700x400-SteelyDane-.jpg
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END:VCALENDAR