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DTSTART;TZID=America/Chicago:20260923T190000
DTEND;TZID=America/Chicago:20260923T210000
DTSTAMP:20260807T141024Z
CREATED:20260506T174413Z
LAST-MODIFIED:20260807T141024Z
UID:10003455-1790190000-1790197200@www.dakotacooks.com
SUMMARY:Pure Prairie League
DESCRIPTION:“soaring harmonies\, lilting love songs\, and rollicking Southern rockers” – No Depression\n  \nPure Prairie League continues to embellish its rich fifty-plus year history of one of country-rock’s pioneering forces. There\, they began in mid-Sixties Ohio as a group of friends playing cover tunes. Now\, the present-day unit features the propulsive team of drummer Scott Thompson and bassist Jared Camic. Additionally\, keyboard master Randy Harper\, guitar ace/vocalist Jeff Zona and pedal steel/saxophonist John Heinrich. Here\, as one reviewer recently wrote: “PPL’s sound combines sweet memories with edgy\, contemporary muscle. Their vocals are as strong as Kentucky moonshine and the musicianship and performance skills are as sharp as a straight razor”. \nPPL’s eponymous first album has been hailed as a major early influence in the emerging popularity of country-rock music. Then\, their second effort\, the multi-platinum Bustin’ Out featured the Craig Fuller-penned classic “Amie”\, along with other gems of the genre. Also\, over several albums and countless shows\, a legacy has been forged and enriched. The band has enjoyed contributions from several noteworthy members\, including original co-founder George Ed Powell\, and Cincinnati’s legendary Goshorn Brothers. Also\, Country Hall of Famers Gary Burr and Vince Gill\, award-winning writer Jeff Wilson (three Top twenty singles)\, top Nashville session vocalist Curtis Wright and others. Furthermore\, they have featured guest appearances from Chet Atkins\, Johnny Gimble\, Emmylou Harris\, David Sanborn\, Don Felder (Eagles)\, and more. \nMoreover\, the new generation: Keith Urban\, Nickel Creek\, Wilco\, Counting Crows and more cite PPL as a major influence. \nNow\, with the release of 2024’s Back On Track\, PPL brings it all back home with a dozen new songs. Here\, they complete the circle begun in 1970 and continues to this day. \nRecommended for fans of Poco\, The Doobie Brothers\, The Eagles and The Flying Burrito Brothers.
URL:https://www.dakotacooks.com/event/pure-prairie-league-sep23-2026/2026-09-23/1/
CATEGORIES:Americana,Rock
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/05/700x400-PurePrairieLeague.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260923T210000
DTEND;TZID=America/Chicago:20260923T230000
DTSTAMP:20260807T141024Z
CREATED:20260506T174413Z
LAST-MODIFIED:20260807T141024Z
UID:10003456-1790197200-1790204400@www.dakotacooks.com
SUMMARY:Pure Prairie League
DESCRIPTION:“soaring harmonies\, lilting love songs\, and rollicking Southern rockers” – No Depression\n  \nPure Prairie League continues to embellish its rich fifty-plus year history of one of country-rock’s pioneering forces. There\, they began in mid-Sixties Ohio as a group of friends playing cover tunes. Now\, the present-day unit features the propulsive team of drummer Scott Thompson and bassist Jared Camic. Additionally\, keyboard master Randy Harper\, guitar ace/vocalist Jeff Zona and pedal steel/saxophonist John Heinrich. Here\, as one reviewer recently wrote: “PPL’s sound combines sweet memories with edgy\, contemporary muscle. Their vocals are as strong as Kentucky moonshine and the musicianship and performance skills are as sharp as a straight razor”. \nPPL’s eponymous first album has been hailed as a major early influence in the emerging popularity of country-rock music. Then\, their second effort\, the multi-platinum Bustin’ Out featured the Craig Fuller-penned classic “Amie”\, along with other gems of the genre. Also\, over several albums and countless shows\, a legacy has been forged and enriched. The band has enjoyed contributions from several noteworthy members\, including original co-founder George Ed Powell\, and Cincinnati’s legendary Goshorn Brothers. Also\, Country Hall of Famers Gary Burr and Vince Gill\, award-winning writer Jeff Wilson (three Top twenty singles)\, top Nashville session vocalist Curtis Wright and others. Furthermore\, they have featured guest appearances from Chet Atkins\, Johnny Gimble\, Emmylou Harris\, David Sanborn\, Don Felder (Eagles)\, and more. \nMoreover\, the new generation: Keith Urban\, Nickel Creek\, Wilco\, Counting Crows and more cite PPL as a major influence. \nNow\, with the release of 2024’s Back On Track\, PPL brings it all back home with a dozen new songs. Here\, they complete the circle begun in 1970 and continues to this day. \nRecommended for fans of Poco\, The Doobie Brothers\, The Eagles and The Flying Burrito Brothers.
URL:https://www.dakotacooks.com/event/pure-prairie-league-sep23-2026/2026-09-23/2/
CATEGORIES:Americana,Rock
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/05/700x400-PurePrairieLeague.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260924T190000
DTEND;TZID=America/Chicago:20260924T210000
DTSTAMP:20260807T141057Z
CREATED:20260527T152428Z
LAST-MODIFIED:20260807T141057Z
UID:10003497-1790276400-1790283600@www.dakotacooks.com
SUMMARY:Jon B
DESCRIPTION:“fusion of seductive hip-hop soul and gushy R&B” – NME\n  \nJon B is a consummate artist. He is an accomplished musician and noted songwriter and producer with several gold and platinum records under his belt. His is a richly textured body of music\, a testament to one man’s love for all things soul. His beginning was seasoned by early influences including Duran Duran\, Inxs\, Marvin Gaye\, Michael Jackson\, Babyface\, Prince and Sade. Then\, he spent the summer after high school writing\, producing and recording forty incredible songs. There\, he began making his rounds to all major record labels. \nWithin a few months\, he’d met Kenny “Babyface” Edmonds and his wife\, Tracy Edmonds. Soon\, they signed Jon to their label\, Edmonds Record Group. Then\, the relationship between Jon and Edmonds immediately bore fruit. His debut album Bonafide went platinum and the single “Someone to Love” received a Grammy nomination. His sophomore effort\, Cool Relax\, also went platinum and earned him multiple Billboard Music Award nominations. Additionally\, he received a Soul Train Music Award nomination for Best Male Single for “Are U Still Down”. This featured the legendary Tupac Shakur collaborating with Jon in the studio. \nJon became an in-demand producer\, working with Nas\, Faith Evans\, and many more. His appreciation for music and modern culture saw him break free of the strictures of R&B. Also\, he incorporated hip-hop\, rock\, reggae and jazz into his versatile sound. \nJon went on to write and produce records for Luther Vandross and Toni Braxton. Also\, he worked with Gina Thompson\, Color Me Badd\, Az Yet\, as well as remixing Michael Jackson’s “You Are Not Alone”. \nRecommended for fans of Boyz II Men\, Babyface\, Mint Condition and New Edition.
URL:https://www.dakotacooks.com/event/jon-b-sep24-2026/2026-09-24/1/
CATEGORIES:R&B
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/05/700x400-JonB.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260924T213000
DTEND;TZID=America/Chicago:20260924T233000
DTSTAMP:20260807T141057Z
CREATED:20260527T152428Z
LAST-MODIFIED:20260807T141057Z
UID:10003498-1790285400-1790292600@www.dakotacooks.com
SUMMARY:Jon B
DESCRIPTION:“fusion of seductive hip-hop soul and gushy R&B” – NME\n  \nJon B is a consummate artist. He is an accomplished musician and noted songwriter and producer with several gold and platinum records under his belt. His is a richly textured body of music\, a testament to one man’s love for all things soul. His beginning was seasoned by early influences including Duran Duran\, Inxs\, Marvin Gaye\, Michael Jackson\, Babyface\, Prince and Sade. Then\, he spent the summer after high school writing\, producing and recording forty incredible songs. There\, he began making his rounds to all major record labels. \nWithin a few months\, he’d met Kenny “Babyface” Edmonds and his wife\, Tracy Edmonds. Soon\, they signed Jon to their label\, Edmonds Record Group. Then\, the relationship between Jon and Edmonds immediately bore fruit. His debut album Bonafide went platinum and the single “Someone to Love” received a Grammy nomination. His sophomore effort\, Cool Relax\, also went platinum and earned him multiple Billboard Music Award nominations. Additionally\, he received a Soul Train Music Award nomination for Best Male Single for “Are U Still Down”. This featured the legendary Tupac Shakur collaborating with Jon in the studio. \nJon became an in-demand producer\, working with Nas\, Faith Evans\, and many more. His appreciation for music and modern culture saw him break free of the strictures of R&B. Also\, he incorporated hip-hop\, rock\, reggae and jazz into his versatile sound. \nJon went on to write and produce records for Luther Vandross and Toni Braxton. Also\, he worked with Gina Thompson\, Color Me Badd\, Az Yet\, as well as remixing Michael Jackson’s “You Are Not Alone”. \nRecommended for fans of Boyz II Men\, Babyface\, Mint Condition and New Edition.
URL:https://www.dakotacooks.com/event/jon-b-sep24-2026/2026-09-24/2/
CATEGORIES:R&B
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/05/700x400-JonB.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260925T190000
DTEND;TZID=America/Chicago:20260925T210000
DTSTAMP:20260908T133829Z
CREATED:20260901T172714Z
LAST-MODIFIED:20260908T133829Z
UID:10003625-1790362800-1790370000@www.dakotacooks.com
SUMMARY:The Belfast Cowboys
DESCRIPTION:“conjures up the spirit and the songs of Ireland’s greatest export” – Chicago Tribune\n  \nThe Belfast Cowboys is a nine-piece\, horn-driven band from Minneapolis that specializes in the music of Van Morrison. Entering their third decade\, they are adept at mixing rock\, blues\, roots and soul sounds. Led by veteran songwriter/guitarist Terry Walsh\, the Cowboys have flourished in the renowned Minnesota music scene. They have consistently packed houses and wowed crowds since 2002. \nTerry Walsh got his start playing in various Twin Cities rock bands. He toured as Slim Dunlap’s bass player in 1997\, opening for Son Volt. In 2001 Terry hit upon the idea of forming a Van Morrison tribute band. Terry spent the rest of the year learning Van songs and building an all-star band. The band played their first show at the old 400 Bar on Saint Patrick’s Day 2002. \nMany musicians have played with the band\, but the ‘A’ team was soon established. It includes Dan Kowalke (guitar\, vocals\, Joe Baumgart (bass)\, Dave Kirby and Dave Haugen (drums\, backing vocals)\, Joe Loskota (keyboards\, backing vocals). The horn section includes Paul Gronert (sax)\, Matt Hanzelka (trombone)\, Tim Martin (trumpet)\, Vic Volare (sax\, flute). Bandleader Terry Walsh (lead vocals\, guitar\, harmonica\, piano). \nThe band has expanded its content over the years to include rock and soul covers. Terry’s own originals have become fan favorites. Now a beloved staple in Minnesota\, the 9-piece Belfast Cowboys averaged over 120 shows a year before the pandemic. The bar-tested troubadours are known for playing epic sets at their weekly Minneapolis gigs and drawing crowds to outdoor festivals. Occasionally they’ll venture beyond the Midwest to play Ireland\, Phoenix\, and New York’s Times Square. Once they opened for the band Chicago in front of 15\,000 people. \nRecommended for fans of Bruce Springsteen\, G.B. Leighton\, Tina and the B-Sides and Van Morrison.
URL:https://www.dakotacooks.com/event/the-belfast-cowboys-sep25-2026/
CATEGORIES:Americana,Rock
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/09/700x400-TheBelfastCowboys.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260926T140000
DTEND;TZID=America/Chicago:20260926T220000
DTSTAMP:20260911T185429Z
CREATED:20260612T153023Z
LAST-MODIFIED:20260911T185429Z
UID:10003514-1790431200-1790460000@www.dakotacooks.com
SUMMARY:Dakota Block Party 2026
DESCRIPTION:The Dakota Block Party Returns in 2026!\n  \nMark your calendars for a free\, all-ages celebration filled with live music\, community\, and summer fun. \nEvent Details\nWhat: Dakota Block Party 2026\nWhen: Saturday\, SEP 26\, 2026 | 2–10pm\nWhere: Nicollet Mall\nCost: Free and open to the public \n  \nOUTSIDE ON NICOLLET MALL\nNicollet Stage Live Music Lineup: \n\nL.A. Buckner & BiG HOMiE at 2pm\nNathan & The Zydeco Cha Chas at 3:30pm\nLiv Warfield at 5pm\nDylan Salfer at 6:30pm\nSounds of Blackness feat. Jamecia Bennett at 8:30pm\n\nTreble Makers Kids’ Corner (Outside Tent):\nThe Treble Makers kids’ area returns with even more activities this year including: \n\nKid-friendly songs from The Bazillions\nInstrument “petting zoo”\nFace painting\nDoughnut decorating\nTie-dye activities\nSparkle hair extensions\nSidewalk chalk art\n& More!\n\nMPLS Craft & Vintage Market:\nExplore the craft and vintage market on Nicollet. \nFood: \n\nDakota Grill tent by Chef Asher Zulkosky\nFood trucks from around the Twin Cities!\n\nDrinks: \n\nBar tent by Pryes & The Wine Company\n\nDakota Merch Tent: \n\nLocated on Nicollet\n\n  \nINSIDE AT THE DAKOTA\nDakota Stage Live Music Lineup (Reserve a table for a timeslot below for FREE): \nTIME SLOT 1 (2:30 – 5pm)\nMoore by Four\nLucia Sarmiento \nTIME SLOT 2 (5:30 – 8pm)\nJoe Pulice Big Band\nKarrin Allyson \nTIME SLOT 3 (9:30pm)\nThe New Standards \n*To give as many guests as possible an opportunity to experience the indoor performances\, Dakota will offer FREE reserved seating during three designated time blocks\, along with standing-room access. Guests may reserve seats for one time block in advance. Additional seats will be held for the day of the Block Party and offered on a first-come\, first-seated basis. \n  \nINSIDE AT THE QUINLAN ROOM BY DAKOTA\nInside the historic Young-Quinlan Building\, the new Quinlan Room by Dakota adds more music and activities to this year’s Block Party. These activities will include: \n\nMusic Education with MacPhail (2-5pm)\n\nPerformance from the MacPhail Faculty Ensemble\nMusic Education Fair\nElectronic Music Lab\n\nMacPhail Center for Music is one of the preeminent music schools in the country. As the nation’s largest community music school\, MacPhail serves more than 15\,000 students each year\, spanning all ages\, abilities\, and backgrounds. Its Varsity Ensembles feature top student talent from around the area.\n\n\n\n\nSwing Dancing with the Southside Aces (6-9pm)\n\nIncluding complimentary dance instruction from Shannon Butler at 6pm!\nFounded in Minneapolis in 2003 by clarinetist Tony Balluff and sousaphone player Erik Jacobson\, Southside Aces celebrates early jazz\, ragtime and New Orleans traditions\, drawing inspiration from the music of Louis Armstrong\, Jelly Roll Morton\, Sidney Bechet and other pioneers of the genre\n\n\n\n  \nVIP PACKAGE OPTIONS\nVIP Platinum \nVIP Platinum Level Perks Include: \n\nExclusive VIP Lounge Access Inside: Enjoy dedicated access to our Upper Private Dining Area throughout the event\, featuring a pop-up bar and light snacks.\nVIP Patio Access Outside: Relax in the dedicated VIP Patio with comfortable seating.\nCome & Go Access: VIP Platinum members can leave and return at any time during the indoor shows.\nDedicated VIP Entrance: Skip the main entrance and enter through our exclusive VIP Door to get inside.\n\nNOTE FOR PLATINUM A-TRAIN MEMBERS: \nIf you are a Platinum A-Train Member\, no action is required. You and a +1 will simply pick up your VIP passes at Will Call on the day of the Block Party. If you would like to reserve a table inside the Dakota\, please do so above under “INSIDE AT DAKOTA” \n \nVIP Blue \nVIP Blue Level Perks Include: \n\nReserved VIP Booth Seating Inside: Enjoy the comfort of reserved booth seating inside the Dakota throughout the event. *Booth seating may be shared with other VIP guests.\nExclusive VIP Lounge Access Inside: Enjoy dedicated access to our Upper Private Dining Area throughout the event\, featuring a pop-up bar and light snacks.\nVIP Patio Access Outside: Relax in the dedicated VIP Patio with comfortable seating.\nCome & Go Access: VIP Platinum members can leave and return at any time during the indoor shows.\nDedicated VIP Entrance: Skip the main entrance and enter through our exclusive VIP Door to get inside.\n\n \n  \nMedia Contact\nJacqueline Hanson\nHanson Communications\nJacqueline@HansonPR.com\n945.451.5000 \nThank you to our 2026 Sponsors! \nSponsors:\n \nSponsor Links:\nMinneapolis Foundation\nSam Grabarski and Lisa Meyer\nThe 614 Company\nDorsey & Whitney LLP\nXcel Energy\nRBC Wealth Management\nThe Lofton Hotel\nFaegre Drinker Biddle & Reath LLP\nMinnesota Twins\nMpls.St.Paul Magazine
URL:https://www.dakotacooks.com/event/dakota-block-party-sep26-2026/
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/06/BlockParty-EmailBanner-700x400_V2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260927T163000
DTEND;TZID=America/Chicago:20260927T173000
DTSTAMP:20260729T172305Z
CREATED:20260612T192958Z
LAST-MODIFIED:20260729T172305Z
UID:10003516-1790526600-1790530200@www.dakotacooks.com
SUMMARY:VIP Event: Alicia Witt: Album Release
DESCRIPTION:Click the link below for show tickets!\nAlicia Witt: Album Release – SEP 27 • 7:00pm performance \n\nAlicia Witt VIP Meet & Greet Upgrade – $50 \nIMPORTANT: This is not a ticket to the show.\nYou must have a concert ticket in order to purchase this VIP Meet & Greet upgrade. \nJoin Alicia Witt for an exclusive pre-show VIP experience!\nYour VIP upgrade includes: \n\nPre-show Meet & Greet with Alicia Witt\nPhoto Opportunity\nAutographs (Bring up to 5 items from home or purchase merchandise at the merch table)\n\nCheck-in Time: Please arrive at the venue by 4:30 PM.\nAfter check-in\, you’ll be escorted to the VIP area for the meet & greet\, which takes place before doors open at 5:30 PM. \n*Availability for this event is limited to ensure proper time to spend with everyone. \n\n“gorgeously sung… If this is what ‘directing from beyond’ sounds like\, it’s rather beautiful.” – Times UK\, 7/2026\n  \nAlicia Witt releases Between Heaven and Earth\, the haunting and deeply personal new album\, August 28 via Thirty Tigers. Witt recorded the album live in New York City with producer Joe Henry and a band she assembled specifically for the project. Now\, the album occupies a space suspended between transcendence and intimacy. On it\, Witt channels “eternal unconditional love” and “the place suspended between heaven and earth.” \nDavid Lynch’s influence and memory profoundly shaped the album. There\, his impact on Witt stretches back to her first film role as Alia in Dune at age seven. “I can’t imagine who I would be without David Lynch\,” Witt reflects. “He is weaved throughout the fabric of my life.” Throughout Between Heaven and Earth\, Witt explores what she learned from Lynch “regarding love. The eternal nature of it\, the idea that only love is real.” Moreover\, she describes his presence as palpable during the record’s creation. “David was with us every day in the studio. All six of us in the band felt his presence.” \nWitt is widely recognized for her acclaimed acting career spanning film\, television\, and stage. However\, music remains a constant throughline in her life. She is a classically trained pianist who supported herself as a musician when she first moved to Los Angeles. Also\, Witt integrates music into her creative identity\, through her own songwriting and in many of her onscreen roles. She’s released multiple full-length albums\, including Revisionary History (2015)\, The Conduit (2021)\, and I Think I’m Spending Christmas With You (2024). Here\, Between Heaven and Earth represents the latest chapter in that ongoing musical journey. \nWitt tracked the album live over four days\, recording vocals and instrumentation simultaneously. There\, she embraced what she calls a “visceral and eternal” energy\, one that “could never be replicated.” Guided by Henry’s vision and the chemistry of the musicians in the room\, the band created the songs instinctively and in-the-moment. Consequently\, the album features minimal overdubs and an openness to what Witt repeatedly refers to as “that place”. Thus\, the transcendent emotional state she connects to through Transcendental Meditation\, prayer\, creativity\, and Lynch’s work itself. \nThe songs on Between Heaven and Earth explore themes of longing\, fate\, healing\, surrender\, nostalgia\, gratitude\, and connection through what Witt describes as a lens of “insistent optimism.” The title track embraces “a mystical connection with a brand-new person.” Also\, they root themselves in “childlike faith in the possibility” and the belief that “it does no harm to dream.” On “Artifacts\,” Witt examines “releasing ancient lessons that no longer serve\,” gently excavating old wounds and learning “how to love.” Also\, “Kindred” channels the feeling of “walls crumbling” and “barriers evaporating in a fabric made of light and destiny.” Then\, “Build Me A Dream” reflects on “constructing the reality we wish to exist in” and recognizing “an eternal soul connection.” \nElsewhere\, songs like “Freeze Frame\,” “Test Drive\,” and “Blue Moon” meditate on alternate timelines and nostalgia. Also\, the peaceful acceptance of connections that were not meant to remain. On “Thank You\,” featuring John Paul White\, Witt transforms heartbreak into gratitude. Here\, Witt reflects on relationships that “cleared the way for new relationships and opportunities to come in.” On “Love Anyway\,” Witt sings about unconditional love that remains even when unreturned: “The love is what’s important. You love and give love without condition or expectation.” \nWitt closes the album with “The Director\,” a bonus track she describes as “communication with David” and “a collection of his words to me since he passed away.” She completed the song spontaneously during the album’s final day in the studio. There\, she recorded a single uninterrupted performance while the microphones continued running during lunch break. “I just knew when I played this one that it had arrived and was complete at last\,” she recalls. \nFor Witt\, Between Heaven and Earth ultimately explores connection — to spirit\, to memory\, to other people\, and to something larger than ourselves. “Too often\, it seems to me\, people imagine love in a vacuum\,” she explains. “I know love to be eternal and unconditional.” Thus\, the result is an album rooted not in bitterness or regret. Here\, it’s rooted in surrender\, gratitude\, wonder\, and the belief that “only love can change minds and hearts.” \n“What all these songs have in common is that there is no bitterness. No angst\, no revenge\, nothing resembling hatred or regret\,” Witt says. “This is my offering. May it bring you exactly where you need it to bring you.” \nPresave the album here\nRecommended for fans of Patty Griffin\, Over the Rhine\, Shawn Colvin and Natalie Merchant.
URL:https://www.dakotacooks.com/event/vip-event-alicia-witt-album-release-sep27-2026/
CATEGORIES:Jazz,Pop
ATTACH;FMTTYPE=image/jpeg:https://www.dakotacooks.com/wp-content/uploads/2026/06/700x400-VIP-AliciaWittAR-VIP.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260927T190000
DTEND;TZID=America/Chicago:20260927T210000
DTSTAMP:20260729T165811Z
CREATED:20260612T192607Z
LAST-MODIFIED:20260729T165811Z
UID:10003515-1790535600-1790542800@www.dakotacooks.com
SUMMARY:Alicia Witt: Album Release
DESCRIPTION:VIP Meet & Greet Add-On. Click the links below for tickets!\nAlicia Witt: Album Release – SEP 27 • 4:30pm VIP Meet & Greet \n\n“gorgeously sung… If this is what ‘directing from beyond’ sounds like\, it’s rather beautiful.” – Times UK\, 7/2026\n  \nAlicia Witt releases Between Heaven and Earth\, the haunting and deeply personal new album\, August 28 via Thirty Tigers. Witt recorded the album live in New York City with producer Joe Henry and a band she assembled specifically for the project. Now\, the album occupies a space suspended between transcendence and intimacy. On it\, Witt channels “eternal unconditional love” and “the place suspended between heaven and earth.” \nDavid Lynch’s influence and memory profoundly shaped the album. There\, his impact on Witt stretches back to her first film role as Alia in Dune at age seven. “I can’t imagine who I would be without David Lynch\,” Witt reflects. “He is weaved throughout the fabric of my life.” Throughout Between Heaven and Earth\, Witt explores what she learned from Lynch “regarding love. The eternal nature of it\, the idea that only love is real.” Moreover\, she describes his presence as palpable during the record’s creation. “David was with us every day in the studio. All six of us in the band felt his presence.” \nWitt is widely recognized for her acclaimed acting career spanning film\, television\, and stage. However\, music remains a constant throughline in her life. She is a classically trained pianist who supported herself as a musician when she first moved to Los Angeles. Also\, Witt integrates music into her creative identity\, through her own songwriting and in many of her onscreen roles. She’s released multiple full-length albums\, including Revisionary History (2015)\, The Conduit (2021)\, and I Think I’m Spending Christmas With You (2024). Here\, Between Heaven and Earth represents the latest chapter in that ongoing musical journey. \nWitt tracked the album live over four days\, recording vocals and instrumentation simultaneously. There\, she embraced what she calls a “visceral and eternal” energy\, one that “could never be replicated.” Guided by Henry’s vision and the chemistry of the musicians in the room\, the band created the songs instinctively and in-the-moment. Consequently\, the album features minimal overdubs and an openness to what Witt repeatedly refers to as “that place”. Thus\, the transcendent emotional state she connects to through Transcendental Meditation\, prayer\, creativity\, and Lynch’s work itself. \nThe songs on Between Heaven and Earth explore themes of longing\, fate\, healing\, surrender\, nostalgia\, gratitude\, and connection through what Witt describes as a lens of “insistent optimism.” The title track embraces “a mystical connection with a brand-new person.” Also\, they root themselves in “childlike faith in the possibility” and the belief that “it does no harm to dream.” On “Artifacts\,” Witt examines “releasing ancient lessons that no longer serve\,” gently excavating old wounds and learning “how to love.” Also\, “Kindred” channels the feeling of “walls crumbling” and “barriers evaporating in a fabric made of light and destiny.” Then\, “Build Me A Dream” reflects on “constructing the reality we wish to exist in” and recognizing “an eternal soul connection.” \nElsewhere\, songs like “Freeze Frame\,” “Test Drive\,” and “Blue Moon” meditate on alternate timelines and nostalgia. Also\, the peaceful acceptance of connections that were not meant to remain. On “Thank You\,” featuring John Paul White\, Witt transforms heartbreak into gratitude. Here\, Witt reflects on relationships that “cleared the way for new relationships and opportunities to come in.” On “Love Anyway\,” Witt sings about unconditional love that remains even when unreturned: “The love is what’s important. You love and give love without condition or expectation.” \nWitt closes the album with “The Director\,” a bonus track she describes as “communication with David” and “a collection of his words to me since he passed away.” She completed the song spontaneously during the album’s final day in the studio. There\, she recorded a single uninterrupted performance while the microphones continued running during lunch break. “I just knew when I played this one that it had arrived and was complete at last\,” she recalls. \nFor Witt\, Between Heaven and Earth ultimately explores connection — to spirit\, to memory\, to other people\, and to something larger than ourselves. “Too often\, it seems to me\, people imagine love in a vacuum\,” she explains. “I know love to be eternal and unconditional.” Thus\, the result is an album rooted not in bitterness or regret. Here\, it’s rooted in surrender\, gratitude\, wonder\, and the belief that “only love can change minds and hearts.” \n“What all these songs have in common is that there is no bitterness. No angst\, no revenge\, nothing resembling hatred or regret\,” Witt says. “This is my offering. May it bring you exactly where you need it to bring you.” \nPresave the album here\nRecommended for fans of Patty Griffin\, Over the Rhine\, Shawn Colvin and Natalie Merchant.
URL:https://www.dakotacooks.com/event/alicia-witt-album-release-sep27-2026/
CATEGORIES:Jazz,Pop
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DTSTART;TZID=America/Chicago:20260928T190000
DTEND;TZID=America/Chicago:20260928T210000
DTSTAMP:20260817T133558Z
CREATED:20260813T204513Z
LAST-MODIFIED:20260817T133558Z
UID:10003598-1790622000-1790629200@www.dakotacooks.com
SUMMARY:Kavyesh Kaviraj: Sanctuary
DESCRIPTION:“he’s a natural musical storyteller with a great future” – Jazzwise\n  \nKavyesh Kaviraj\, piano\nGraydon Peterson\, bass \nMiguel Hurtado\, drums\nAlan Snow\, 1st violin \nSarah Grimes\, 2nd violin \nLydia Grimes\, viola  \nSonia Mantell\, cello \nKavyesh Kaviraj imbues his life and stories into his music. Here\, he carefully weaves all his influences into a boundary-breaking modern jazz outfit. He is known as a pianist\, composer and arranger\, collaborating frequently with the finest Twin Cities artists and beyond.  \nKavyesh has garnered acclaim in many musical climates\, but calls St. Paul\, MN home. Furthermore\, he is a sought-after musician in many genres but is primarily a jazz pianist. He has performed with several internationally renowned artists. For example\, Wynton Marsalis\, David Sanchez\, Justin Robinson\, Roosevelt Collier\, Steve Cole\, and others. Additionally\, he has been an important member of the local music circuit. Here he collaborates with local jazz legends like Debbie Duncan\, Bruce Henry\, Babatunde Lea\, Kevin Washington\, and L.A. Buckner. Also\, he is active in hip-hop\, gospel\, R&B\, funk scenes and many crossover acts. \nKavyesh’s debut album\, 2024’s Fables\, describes his long journey of honing his craft in Oman\, India and the Twin Cities. Accompanied by the Twin Cities’ finest musicians\, Fables is a vivid journey through this young composer’s lens. \nKavyesh was born into music. Born to Indian parents in Oman\, he began his fledgling musical career in the small town of Sohar. There\, his family\, steeped in rich musical ancestry\, encouraged him to begin his journey at the piano at age two. Thus\, he attributes his span of musical curiosity and experience to his upbringing. Moreover\, he is educated in both South Indian Carnatic music and North Indian Hindustani music. \nRecommended for fans of Ahmad Jamal\, Kenny Barron\, Wynton Marsalis and Joey Alexander.
URL:https://www.dakotacooks.com/event/kavyesh-kaviraj-sanctuary-sep28-2026/
CATEGORIES:Jazz
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BEGIN:VEVENT
DTSTART;TZID=America/Chicago:20260929T000000
DTEND;TZID=America/Chicago:20260929T235900
DTSTAMP:20260526T162824Z
CREATED:20260526T162529Z
LAST-MODIFIED:20260526T162824Z
UID:10003494-1790640000-1790726340@www.dakotacooks.com
SUMMARY:Private Event
DESCRIPTION:We are booked on SEP 29 for a private event. BOOK YOUR EVENT HERE:
URL:https://www.dakotacooks.com/event/private-event-sep29-2026/
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DTSTART;TZID=America/Chicago:20260930T190000
DTEND;TZID=America/Chicago:20260930T210000
DTSTAMP:20260811T153014Z
CREATED:20260506T174848Z
LAST-MODIFIED:20260811T153014Z
UID:10003457-1790794800-1790802000@www.dakotacooks.com
SUMMARY:Vieux Farka Touré
DESCRIPTION:“Notes fall from his fingers like rain on to water… kaleidoscopic” – Guardian\n  \nVieux Farka Touré\, often called “The Hendrix of the Sahara”\, hails from Niafunké\, Mali. He is the son of legendary Malian guitar player Ali Farka Touré\, who died in 2006. Ali came from a historical tribe of soldiers and defied his parents by becoming a musician. Thus\, when Vieux reached his teens\, he declared that he also wanted to be a musician. However\, his father disapproved because of the pressures he had experienced as a musician. Rather\, he wanted Vieux to become a soldier. Vieux eventually convinced his father to give him his blessing to pursue music shortly before Ali passed. \nInitially\, Vieux played drums and calabash at Mali’s Institut National des Arts\, but he secretly began playing guitar in 2001. When Vieux announced plans to record an album\, cancer had already weakened Ali Farka Touré. Ali recorded a couple of tracks with him. There\, those recordings\, which appear on Vieux’s debut CD\, rank among Ali’s final ones.  \nWhen the COVID pandemic hit in 2020 and all touring ground to a halt\, Vieux stayed focused on his craft at home. He worked tirelessly in the studio he built at his family’s compound. The resulting album\, 2022’s Les Racines\, finds Vieux returning to his deep roots. Here\, he explores the desert blues music that he spent most of his career experimenting with and expanding. In 2022 Vieux and Houston-based psych-rock superstars Khruangbin released a long-awaited collaborative album. Sir Elton John called it “one of the albums of the year – absolutely wonderful music.” \nWith each new project Vieux broadens his horizons\, embraces new challenges and further entrenches his reputation as one of the world’s most talented and innovative musicians. \nRecommended for fans of Ali Farka Touré\, Tinariwen\, Cheikh Lô and Khruangbin.
URL:https://www.dakotacooks.com/event/vieux-farka-toure-sep30-2026/
CATEGORIES:Blues,Global
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