“pure soul… she’s bad to the bone.” – No Depression
Judith Hill has established herself as one of the most dynamic and versatile artists in music. Her breakout appearance on The Voice earned her a dedicated fan base. Also, her collaborations with legends like Stevie Wonder, Michael Jackson, and Prince garnered critical acclaim. Her music effortlessly blends elements of soul, funk, R&B, and pop, creating a sound that is uniquely her own.
Hill’s latest release, 2024’s Letters From A Black Widow follows 2021’s Baby, I’m Hollywood!. Baby offered a rowdy coming-of-age tale of a mixed-race child of bohemian California. However, Letters from a Black Widow is a formidable battle cry – a soul/funk/gospel passion play. Further, it is spectacularly written, arranged, and performed by Hill.
Here, Hill plays many of the instruments, including electric guitar, which she taught herself to play since her last album. This project, though, is not a strictly solo endeavor. It’s built on the unshakable musical foundation she has enjoyed for most of her life. Thus, Hill’s band includes her parents, bassist Robert “Peewee” Hill and keyboardist Michiko Hill.
Letters presents a riveting story – from private pain to communal transcendence – becoming her most soul-baring work to date. Anyone who’s followed Judith Hill’s story will recognize Letters from a Black Widow as one jaw-dropper of an album title. The tabloid-coined phrase “Black Widow” arose after the overdose deaths of her two star-making collaborators, Michael Jackson and Prince. It became a term of abuse that internet trolls hurled at the celebrated artist, driving conspiracy theories and shame campaigns. Then, Hill experienced trauma that nearly ended a career that includes a Grammy for her role in the documentary “20 Feet from Stardom.”
Recommended for fans of Jon Batiste, Esperanza Spalding, Musiq Soulchild and Prince.
