“pure magic to watch and hear” – Rolling Stone
In the tight-knit musical community of Austin, Texas, it’s tough to get away with posturing. You either bring it, or you don’t.
If you do, word gets around. And one day, you find yourself duetting with Bonnie Raitt, or standing onstage with the Allman Brothers at New York’s Beacon Theater and trading verses with Susan Tedeschi. You might even wind up getting nominated for a Best Blues Album Grammy — three times in a row. And those nominations would be in addition to your seven Blues Music Awards, three Austin Music Awards, the Grand Prix du Disque award from the Académie Charles-Cros in France, a Living Blues Critics’ Award for Female Blues Artist of the Year, and the title of an “inspiring American Artist” as a United States Artists 2018 Fellow.
There’s only one Austinite with that résumé: Ruthie Foster. The small rural town of Gause, TX had no chance of keeping the vocal powerhouse known as Ruthie Foster to itself. Described by Rolling Stone as “pure magic to watch and hear,” her vocal talent was elevated in worship services at her community church. Drawing influence from legendary acts like Mavis Staples and Aretha Franklin, Foster developed a unique sound unable to be contained within a single genre. That uniqueness echoes a common theme in Ruthie’s life and career – marching to the beat of her own drum.
Ruthie’s latest album, 2020’s “Live at the Paramount,” swings back to the days (and nights) when Ella sang Ellington and Sinatra blasted off with Count Basie. As Ruthie wraps her oh-so-malleable, impeccably nuanced voice around each song, the wisdom of her selections, the strength of each arrangement, their near-seamless flow and the outstanding talent of her band converge into yet another reminder that Foster’s artistry really is in a league of its own.
LEARN MORE: http://www.ruthiefoster.com/