“[one of] today’s most important pianists… extravagantly gifted” – The New Yorker

Described by the New York Times as a “social conscience, multimedia collaborator, system builder, rhapsodist, historical thinker and multicultural gateway,” Vijay Iyer has carved out a unique path as an influential, prolific, shape-shifting presence in twenty-first-century music. A composer and pianist active across multiple musical communities, Iyer has created a consistently innovative, emotionally resonant body of work over the last twenty-five years, earning him a place as one of the leading music-makers of his generation.

He has received a MacArthur Fellowship, a Doris Duke Performing Artist Award, a United States Artist Fellowship, a Grammy nomination, the Alpert Award in the Arts, and two German “Echo” awards, and was voted Downbeat Magazine’s Jazz Artist of the Year four times in the last decade. He has been praised by Pitchfork as “one of the best in the world at what he does,” by the Los Angeles Weekly as “a boundless and deeply important young star,” and by Minnesota Public Radio as “an American treasure.”

Iyer’s musical language is grounded in the rhythmic traditions of South Asia and West Africa, the African American creative music movement of the 1960s and 70s, and the lineage of composer-pianists from Duke Ellington and Thelonious Monk to Alice Coltrane and Geri Allen. He has released twenty-four albums of his music, most recently 2021’s UnEasy,  a trio session with drummer Tyshawn Sorey and bassist Linda May Han Oh; 2019’s The Transitory Poems, a live duo recording with pianist Craig Taborn; 2017’s Far From Over with the award-winning Vijay Iyer Sextet; and 2016’s A Cosmic Rhythm with Each Stroke, a suite of duets with visionary composer-trumpeter Wadada Leo Smith.

LEARN MORE:  https://vijay-iyer.com/

Please read COVID Policy here >>

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Effective immediately, all concerts and events at the Dakota will require either proof of a full series of COVID-19 vaccinations or proof of a negative COVID-19 test taken in the prior 72-hours. Masks are requested to be worn indoors no matter your vaccination status, except when eating or drinking.

By clicking the link below, you are consenting to abide by our COVID policy: View Policy

Effective immediately, Dakota will require either proof of a completed COVID-19 vaccination regimen OR proof of a negative COVID-19 test result (which was administered up to 72 hours prior) for any person* to enter any events** held at Dakota. The COVID-19 vaccination card must show a completed regimen that concluded at least 14 days before the date of the event that the patron plans to attend. Dakota does NOT accept self-administered Antigen Rapid Test results or provide them to patrons without either of the above listed required proofs. PCR and Antigen Rapid Test results are accepted if administered by a clinic or State-certified testing facility.

Proof of vaccination or negative COVID-19 test

  • Must be shown at the time of entry into Dakota.
  • Must match the ticket holder’s ID.
  • May come in the form of: a physical vaccination record card, a printed out file of vaccination record, a printed out negative test result, or a digital document on a mobile device (i.e. a photo image of a vaccination record card, a PDF file, a Word file, a Pages file, Docket app, Bindle app, Clear app, or other options).

In accordance with the City of Minneapolis, Emergency Regulation No. 2022-1 MASKS ARE REQUIRED to be worn indoors, except for the purposes of eating, drinking, or performing on stage.

Staff: This policy applies to all staff for all events and it also applies for entry into the building when there are no events.

Questions? Email Joe Doermann, Director of Operations at: [email protected]

Children under 5 not vaccinated may show a negative COVID-19 test as outlined above.

*This policy applies to all people entering Dakota. This includes staff, performers, etc.

**This policy applies to any and all events held at Dakota. This includes shows that other venues and organizations present in Dakota’s space.

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